Human Ecosystems in Reggio Calabria

The Human Ecosystems project is landing in Reggio Calabria, the beautiful city at the tip of the boot of the Italian peninsula, full of history and culture.

Here we will explore the opportunities which can be found by gaining more understandings about the digital life of the city, together with citizens, organisations, city based associations.

We will meet on December 22nd 2014 at 8pm, at the Malavenda Café (Via Zecca 1, Reggio Calabria).

Here below are the Press Release and the biographies of the participants to the event (doc format, in Italian):

Human Ecosystems Reggio Calabria Press Release

Human Ecosystems Reggio Calabria Biographies

 

The Event

What shape does the relational ecosystem of Reggio Calabria have? Which nodes constitute it? Which emotions do citizens express on social networks? How do they interconnect? What could happen if a real time source open data would be made available to show the meeting places in the city of different cultures and communities; their influences; their bridges, hubs, experts, boundaries, connecting and separating them across themes, opinions, places and times?

They may look like questions coming out of science fiction, but in some cities of the world (such as Sao Paulo, Toronto, New Haven) they are already a reality.

We will talk about all of this on Monday December 22nd at 8pm at the Malavenda Café together with Oriana Persico, digital communication expert and co-founder – together with Salvatore Iaconesi, robotic engineer and hacker – of the Art is Open Source network, which created the Human Ecosystems project.

Human Ecosystems enables smart cities and smart communities observing the relational ecosystems of cities in real-time, to promote citizen participation and activation, as well as peer-to-peer and ubiquitous innovation processes. The project captures in real-time citizens’ public conversations on major social networks, in 29 languages, visualises them through info-aesthetic representations and generative sounds, and transforms them into a source of Open Data which is available to anyone, to make digital public space accessible and inclusive: an Ubiquitous Commons.

In fact, at the present time, it is only large operators and the managers of the large social networking platforms who have access to this citizen-generated data, to be used for their sole strategies.

Since its launch in 2013, Human Ecosystems has been used to create participatory policies, new forms of governance, urban planning, research, education processes, art installations and performances.

Back from Yale University, where Iaconesi held a fellowship, Persico will open up a dialogue with some of the major associations and startups of the city, who confront on a daily basis with the issues of urban regeneration, participative design, open data and social innovation: Letizia Cuzzola, president of Terrearse Lab, the association which promotes the “Sud Altrove” project; Giuseppe Mangano, co-founder of Pensando Meridiano, the Laboratory for Sustainable Culture, Innovation and Social Cohesion which is implementing the Reaction City project; Angelo Marra, who has just been nominated Digital Champion for the city of Reggio Calabria and, thus, the ambassador for the city’s digital innovation; Antonio Ottomanelli, artistic director of The Third Island project, starting from Calabria to create an observatory on the major public works in Italy; Domenico Rositano, president of Calabresi Creativi, winner of the MIUR 2012 grant with the project Smart DMO; Giuseppe Rudi, co-founder of Architetti Emergenti, winner of the Culturability 2013 grant; Eleonora Scrivo, territorial responsible for Action Aid, constantly active on the issues of transparency and participation through Open Data.

The A di Città Rosarno association collaborated in the realization of the event, in its effort to use participatory urbanism as a tool for citizen awareness.

The moderation will be performed by Josephine Condemi, Reggio Calabria born journalist (on Nòva – Il Sole 24 Ore), passionate about online and offline networks, and about social innovation.

Thanks to the support provided by the Laboratori Creativi.net it will be possible to follow the event live in streaming and in live-tweeting using the #humanrc hashtag.

Virtual is potential. Making it become real is our responsibility.

Links & Info

Fb event:

https://www.facebook.com/events/773690926047357/?fref=ts

Human Ecosystems:
http://www.human-ecosystems.com/

Salvatore Iaconesi&Oriana Persico
http://www.artisopensource.net/index.php#team

A di Città Rosarno:
http://adicitta.wordpress.com/

Architetti Emergenti:
http://www.architettiemergenti.it/

Calabresi Creativi:
http://calabresicreativi.it/

Digital Champions Calabria:
http://digitalchampions.it/

Pensando Meridiano
https://www.facebook.com/pensando.meridiano.3

Terrearse Lab
http://terrearse.it/

The Third Island
http://www.thethirdisland.com/

The Real Time Museum of the City and the Ubiquitous Commons

A public gathering in Rome, uniting administrations, politics, civil society and the cultures of the Italian capital become the occasion to explore the Human Ecosystems, the Real Time Museum of the City and the Ubiquitous Commons: the emergence of a vision of the relational ecosystem of the city and of the transformation of citizenship in the age of ubiquitous information.

This will happen in Rome, on July 7th 2014, from 3pm to 7:30pm at the Palazzo ex Pantanella, piazza Bocca della Verità 16.

You can visit the website http://ripartiamodaifori.it/ to learn more about the event (the website is in italian). You can also Download the Press Release and Download the Program for the event here (both are the official releases, in Italian).

The Real Time Museum of the City

What if there was a museum, in each city, which did not have in display paintings, sculptures or the archives and exhibits which we are all used to imagining when we think about Museums, but the “life of the city”, in real-time?

What if, in this Museum, you could play with the real-time life of the city, exploring the cultures, communities and relations which constantly form and transform in the city, between citizens of all ages, administrations, cultures, companies, organisations?

What if, in this Museum, you could learn how to understand these relationships, and how to use them to create a novel form of citizenship, in which citizens are positive, active, aware agents of their city, organising among themselves and with administrations and companies to promote and support the well-being of the city itself.

The Real Time Museum of the City

The Real Time Museum of the City

This is what we’re exploring with the Human Ecosystems project, starting in Sao Paulo, Rome, Montreal, Toronto, Lecce, Budapest and, really soon, in other major cities across the planet.

Ubiquitous Commons

The Human Ecosystems project is tightly connected with the concept of Ubiquitous Commons (and we will be spending a whole semester at Yale, with a Yale World Fellowship, to explore this concept and publish the first results).

With the idea of the Ubiquitous Commons we wish to highlight that a massive transformation has already happened for human beings.

Ubiquitous Information, mobile technologies, sensors, pervasive digital transaction, content, information and interaction have radically transformed the ways in which we perceive public and private spaces, as well as the ways in we relate, communicate, work, express, consume, share knowledge and information.

The world, today, sits in a grey area in which this radical transformation has already happened (and is constantly continuing to happen), and laws, regulations, social and cultural conventions, critical perceptions have not yet learned how to understand and cope with them, leaving us in a state of continuous, rapid, incomprehensible, opaque revolution of the boundaries of what is public and what is private (and the radical consequences which this has), which is controlled by entities whose interest does not lie in the public well-being.

Affecting everything from privacy, to transparency, to openness, to participatory governance, to shared knowledge, information, and even up to health and personal well-being (just think about all the things you can achieve through biometrics, quantified-self and more).

Ubiquitous Commons

Ubiquitous Commons

Through Ubiquitous Commons we wish to address this domain: to create a common effort through which Ubiquitous Information, of the many kinds which affect our daily lives – wether we realise it or not – becomes open, accessible, usable to us, as citizens and human beings, to perform this transformation which has already happened, and to mutate it into a chance for our expression and freedoms, giving us the chance to create new ecologies and economies, based on openness, accessibility, inclusion and participation.

The two issues (the Real-Time Museum of the City and Ubiquitous Commons) are closely connected, as the Real Time Museum of the City is a sort of iconic presence in the City of the concept of the Ubiquitous Commons: the place of perception and beauty in which one starts to comprehend, learn and use the Relational Ecosystem of the city, to perform this transformation, to perceive a new possibility for citizenship.

Human Ecosystems at TEDxDanubia

Join us in Budapest for TEDxDanubia, where we will present the Human Ecosystems project, and some surprises about the digital lives of cities, the ways in which people express in urban contexts and on the possibility to create a new form of Public Space, in the era of Information, Communication and Knowledge: Ubiquitous Commons!

TEDxDanubia will be held on May 15th 2014,  at the Uránia theater (1088 Budapest, Rákóczi út 21., Hungary).

This year’s theme is “The Age of Uncertainty

From TEDxDanubia’s website:

We live in uncertain times, probably more so than ever before. The pace of change is accelerating, the amount of information and choices is overwhelming. A merging biological and technological revolution is transforming our reality. The gap between rich and poor has widened to unprecedented levels. Population growth and human induced ecological changes are creating unforeseeable risks on a planetary scale. The balance of power is shifting rapidly between East and West, North and South, while the whole planet is becoming defined increasingly by interconnectedness and interdependency, and our capacity to meet the new challenges is greater than ever.

At the same time we are losing sight of or even faith in our traditional reference points and guiding posts. New challenges, new threats and new opportunities await us behind every corner. Opportunities have never been greater and more widespread. But our world is also filled with the sense of crisis of all kinds, from financial to moral, from global to personal. What kind of world are we heading towards? Are we on the brink of a new phase of our evolution? How do we find our own way in this new world? How do we make wise choices in a new and uncharted territory when so much is at stake? How do we find meaning and purpose to our lives? What does progress mean? How do we turn the new and threatening challenges into opportunities?

Among the speakers and performers: Taghi Amirani, Orsolya Nemes, Anna Baróthy, Boggie, Pál Honti, Scott Summit, Gábor Forgács, József Baranyi, Miklós Antal, György Nógrádi, Bobby Sager, Márk Süveg Saiid, Krisztián Nyáry, Marge, Laurie Garrett, Annamária Kádár, Nikhil Goyal, Péter Pozsár, István Kenyeres, Freelusion, Andrew Hessel, Emily Levine, Sena Dagadu.

an Emotional Compass: new ideas for wayfinding in cities

Why would we need an Emotional Compass?

And, first of all, what is an Emotional Compass?

“The map is not the territory.” – A. Korzybski

 

“The map is not the thing mapped.” – E.T. Bell

 

“The tale is the map that is the territory.” – N. Gaiman

 

“We say the map is different from the territory. But what is the territory? The territory never gets in at all. […] Always, the process of representation will filter it out so that the mental world is only maps of maps, ad infinitum.” – G. Bateson

When we experience territories, we create stories.

We model these stories using mental maps. These maps have seldom anything to do with what actually lies within the territories themselves. A mental map refers to one person’s point of view perception of their own world, and is influenced by that person’s culture, background, mood and emotional state, instantaneous goals and objectives.

If we move along the streets of my city in a rush, trying to find a certain type of shop or building, our experience will be different than the one we would have had if we were searching for something else.

Focus will change.

We will see certain things and not notice other ones which we would have noticed otherwise.

Some things we will notice because they are familiar, common, or because associate them to memories and narratives. Some will stand out because they react with some element of our culture or background.

All this process continuously goes on as our feelings, emotions, objectives and daily activities change, creating the tactics according to which we traverse places and spaces, to do the things we do.

In the density of cities, this process happens for potentially millions of people at the same time.

In his “the Image of the City”, Kevin Lynch described cities as complex time-based media, symphonies produced by millions of people at the same time in their polyphonic way of acting, moving, interpreting, perceiving and transforming the ambient around themselves: a massive, emergent, real-time, dissonant and randomly harmonic, work of time-based art with millions of authors that change all the time.

In this, our mental maps – the personal representations of the city which we build in our minds to navigate them to fulfil our needs and desires – live a complex life as our perception joins into the great performance of the city.

Dissonance is the essence of the city itself, and represents its complexity, density and opportunities for interaction.

Harmony represents affordances, the things which are recognised and shared by different cultures.

Those elements of the perceptive landscape onto which we can agree upon, which we recognise and attribute compatible meanings, allowing us to collaborate, meet, do things together.

For example, Haken and Portugali have suggested a broad definition of landmarks to refer to any distinguished city elements that shape our mental map. Or as Appleyard, Golledge and Spector who have conducted studies about the imageability of urban elements not because of their visual stimulus but because they possess some personal, historical, or cultural meaning.

These features found within our mental maps enable the possibility to design the affordances of places and spaces. We can use the understanding of what is consistently recognized and understood to design the elements of space/time which will be able to describe to people what is allowed or prohibited, suggested or advised against, possible or imaginable.

Lynch’s concepts of legibility and imageability are closely related to James J. Gibson’s notion of affordances developed in his direct perception theory, according to which the objects of the environment can afford different activities to various individuals and contexts. And, again, in Haken and Portugali, all elements of a city afford remembering, as they shape in the mental maps in human minds.

In a further step in the direction of citizen activation, we can also imagine to make this type of understanding widely known and usable, to enable people to express themselves (and their mental maps of how they perceive the world) more effectively and powerfully.

These possibilistic scenarios have become radically viable with the widespread of ubiquitous technologies. Nomadic devices (such as smartphones) and their applications we are able to merge our physical understanding of the world with the digital one: the two have, in fact, become so interweaved and interconnected as to form a new physicality, visuality and tactility which shape our everyday experiences of the world.

According to Mitchell’s “City of Bits”, McCullough’s Digital Ground, Zook’s and Graham’s DigiPlace we are constantly immersed in emergent networks of interconnected data, information and knowledge which is produced by millions of different sources and subjects in the course of their daily lives.

This data and information radically shapes the ways in which we have learned to work, learn, collaborate, relate, consume and perceive our environment.

If we are strolling in a park and we receive a notification of some sort on our smartphone, the natural environment could instantly transform into an ubiquitous, temporary office.

If we want to make a decision about a certain thing we would like to purchase while in a shop, a quick look online will help define our opinion in ways that can be very powerful.

If we receive a message on our smartphone, our mood could change for the rest of the day.

Situated and ubiquitous information is able to powerfully transform, in real-time, the ways in which we experience places, objects and services, by providing the wide accessibility of other people’s stories, emotions, expectations and visions.

This scenario is the one we have tried to address in our research: the conceptualisation, design and implementation of a tool for urban navigation, in which the emotional, narratives expressed by people while inhabiting and using urban places, spaces and objects become instantly and radically available, accessible and usable.

We used this approach to define a novel vision on the opportunity to design new types of affordances for our cities.

We have decided to start from the idea of a Compass.

You can find a first result of our research here at the following link:

An Emotional Compass Harvesting Geo-located Emotional States from User Generated Content on Social Networks and Using them to Create a Novel Experience of Cities

An Emotional Compass harvesting emotions from social networks

An Emotional Compass harvesting emotions from social networks

Love VS Turin at MAC, the Contemporary Art Museum of Lissone

Versus, the Realtime lives of cities: love VS Turin

Versus, the Realtime lives of cities: love VS Turin

Versus, Love VS Turin, will be presented at MAC, Contemporary Art Museum of Lissone.

Selected by curator Cecilia Guida from the ArtHub archives for the exhibit “C’è una piccola radice che, se la masticate, vi spuntano le ali immediatamente”, the video will be on show in the video-room at MAC – Museo d’Arte Contemporanea di Lissone, from the 4th to the 28th of July 2013.

The Opening will take place on July 4th starting at 9pm.

The exhibit is part of the “Off site / Not in place” project, a collaboration between MAC and Viafarini DOCVA, a selection of video art taken from the ArtHub archives.

More information here: http://www.arthub.it/index.php?action=pagina&idpag=1372167431

and HERE is the invitation for the opening.