Near Future Design at CyberResistance in Milan

AOS will be at CyberResistance, on April 3, 4 and 5 2014, in Milan, at the Cantiere, for a participatory conversation about Near Future Design, starting from the Near Future Design of the Education System which we are building with our students at ISIA in Florence.

Near Future Design, from our point of view, is the possibility to create powerful, strategic, coordinated transmedia narratives, realizing a simulacrum, a state of suspended disbelief whose objective is to shift people’s perception of what is real and possible, and engage them into a performance to create new, preferred, desirable futures.

We will start from the Near Future Education Lab which we are bringing up together with the students at ISIA Florence: the design of a commons-based, peer-to-peer, emergent, permeable model. This model will be started by founding a Foundation operating under wirearchical organizational models, through a crowd-funding campaign, by forming a wide network of international cooperants and by establishing a network of partnerships to access the funds for its implementation.

To learn more about our perspectives on Near Future Design, you can read this article: Near Future Design, the perception of a New Possible, and a novel role for Design.

You can look at the CyberResistance program here: http://www.cantiere.org/art-04368/cybres3v.html#plan

And here is the Wiki for the event: https://n-1.cc/dokuwiki/1487601/doku.php in which you can participate and take action.

cyberResistance-2014 flyer

cyberResistance-2014 flyer

Reinvent Reality at FADfest, a conference on Open Design and Shared Creativity, Barcelona

Reff, RomaEuropa FakeFactory

Reff, RomaEuropa FakeFactory

We will be joining in the conversation at Open Design / Shared Creativity Conference in Barcelona, on July 2nd and 3rd to present a scenario for radical innovation, based on a radically open process.

In 2008 we created REFF, RomaEuropa FakeFactory, a meta brand ( an open source brand, a brand which anyone sharing an ethical approach can use, with the results benefiting the whole p2p network of individuals and groups who participate in the brand itself ) which we created to confront Italy’s difficult scenario for what concerns public policies for arts and creativity.

When we created it, we chose to give it a peculiar form: an institution.

A Fake Institution, more precisely.

As Orson Welles might have said: “fake” is real.

Meaning that reinventing reality can become a tool for constructivist action onto society.

This is precisely what we tried to do with REFF: to create a p2p ecosystem dedicated to the systematic reinvention of reality through critical practices of remix, re-contextualization, re-enactment, mash-up.

We used these terms – which are classically associated with media – in real-life, in the space of the city and of the networks of relationships which describe our societies.

The structure of the initiative has been natively peer-to-peer, meaning that the whole “system” was designed as a tool for expression of a network of peers, used to add meaningful layers of information and opportunities for action to our ordinary reality.

This, in our perspective, is a wonderful definition for Augmented Reality, and AR has, in fact, been a great tool for REFF, which used it as a metaphor for its practices.

And this is, for us, a highly effective scenario to create opportunities in our near-future, beyond the scenarios of crisis: bringing the scenarios opened up by technologies to networked models which are deeply rooted into our cities and our communities, in which basic definitions of our societies – such as public space, production, distributionrevenue, governance, policy-making, decision-making and many others – can be redefined to become natively networked processes, and create new schemes for sustainability, sociality and development.

This is the point of view which we will present at FADfest, at the Open Design / Shared Creativity Conference.

Open Design / Shared Creativity Conference is an international forum that seeks to explore and debate the emerging landscape of openness and exchange that is taking shape around practices such as open code, creative commons licensing, co-creation, de-localisation and collaboration.

Digital technology and social networks have reached a point of maturity from which a new industrial culture is emerging, revolutionising the processes of creation, mediation, distribution and consumption. Taking design in all its expressions and forms as a starting point, the conference will be an important international forum of ideas, working platforms and specialised practices that are transforming the articulation of design with society, economy and culture.

Designers, architects, artists, editors, web activists, programmers, curators, lawyers and cultural analysts will explore over two days the reality and the potential of open design culture, from new business models to the most experimental creative practices.

Innovation and Art in Bolzano: REFF and the augmentation of reality

We will be in Bolzano on October 27th for the “Impronta del Digitale” the technological lab of the “Classe dell’Arte” a series of events and conferences organized by the Administration of the Province of Bolzano.

REFF RomaEuropa FakeFactory, Reality Pushers

REFF RomaEuropa FakeFactory, Reality Pushers

The main objective of the cycle of events is to confront with the contemporary issues of art systems and to investigate case studies and specific experiences. The meetings and conferences aim to promote a reflection on the mechanisms of contemporary art and cultural systems, to develop economies and social engagement.

In this Framework, the technological lab sees the direct intervention of artists, performers and experts narrating significant case studies and approaches which have been proven successful and meaningful. Talks will mix with workshops, while the presenters demonstrate both their methodological and conceptual approach, and explain the usage scenarios of technologies, frameworks and techniques.

REFF, RomaEuropa FakeFactory, has been invited to the session that will be held on October 27th at the Centro Culturale Trevi to present and discuss the innovative scenario created during the story of the project.

Specifically, REFF will present:

  • the concept of meta-brand as a framework for innovation in cultural practices, and for the creation of pragmatic opportunities for artists, researchers and cultural operators
  • the idea of the “fake institution” which was used by REFF to create a globally active cultural ecosystem dedicated to the practices of collaboration and radical innovation in art practice and cultural policies
  • the methodological “reinvention of reality”, a novel approach through which technologies, networks and ubiquitous publishing tools have been used to create artworks, performances, initiatives, collaborations and research projects whose main goal was to “augment reality” by enacting new operative spaces promoting freedom of expression, freedom of innovation and a wide range of innovative scenarios creating opportunities for all parties involved
The methodological and conceptual discourse will be interleaved with the presentation of the technological tools used to create these scenarios including:
  • advanced networking tools
  • radical social networking practices and tools
  • open source tools for ubiquitous publishing and augmented reality
  • radical open source tools for global knowledge sharing, education, research and collaboration processes
These tools have been used by the REFF group (and by its promoters at Art is Open Source and FakePress Publishing) to enact planetary innovation processes, spawning multiple projects and receiving institutional appraisal worldwide.
The presentations will be completed by a poetic scenario realized under the form of an interactive installation.
The REFF fake institution has been known to promote its global youth program on the possibilities to “reinvent reality” with the provocative distribution of an Augmented Reality Drug. The ARDrug, featured at multiple festivals and in schools and universities in multiple countries, is said to “change your perception of reality”, just as a classical psychoactive drug, and is in effect an open source software that can be used to create autonomous layers of digital information and interaction which are stratified onto the ordinary reality.
The REFF collective will materialize a “Reality Pusher laboratory” at the Centro Trevi, showing through an interactive installation the creation of the AR Drug.
More info at:

Sensible Data @ Live Performers Meeting 2011, Rome and Minsk

live performers meeting 2011

live performers meeting 2011

Art is Open Source will be at the 2011 edition of LPM, the Live Performers Meeting, an international event focused on visual cultures and live performance.

LPM started as a VJ meeting , but it soon evolved into something more. The fast evolution of the technologies and tools that can be used by artists and creatives widely expanded the scenarios of live visual performances, and now we are getting used to (and expect to) seeing electronics, devices, generative visuals, networked performances, projection mapping, architectural visuals, software art and body performance mixed with electronics.

LPM 2004

LPM 2004

LPM’s own history reflects this kind of evolution. Starting out from a community brought up by Flyer Communication around the FLxER VJ software, LPM was nor an ordinary festival, really assuming instead the characteristics of a true meeting, in which people met, discussed, experimented things together and in which the performative part of the event was halfway between a showcase of the things presented through workshops and face-to-face discussions, and a very happy party :)

The meeting mutated through time expanding the range of activities that were featured during the event, including live cinema acts, intensive workshops, software presentations, urban performances, and the ever present intense dance floor experience.

FLxER, the software created by Flyer Communication, evolved together with the meeting. Already innovative since the beginning (a VJ tool that you could use directly from the web, if you wanted to, accessing not only your own content, but also all the content of the community, organized through convenient interfaces and facilities), it is now including outstanding features dedicated to projection mapping, 3D graphics, integration with controllers and other devices.

And, most of all, preserving and developing a really live community of artists, software developers, hackers and more.

LPM 2007

LPM 2007

Each year LPM hosted the Digital Freedoms Week, an event started at the Linux Club in Rome in which open cultures and technologies, networked cultures, hacking and hacktivism built a discourse about the perspectives in which we all can use networks and technologies to promote our freedoms and to foster a more democratic, interactive, accessible world.

Each year the Digital Freedoms Week confronted a different perspective on the themes of open source, knowledge sharing, open access, privacy, intellectual property, and more, and we at Art is Open Source have always been really happy to participate to it with projects such as Degradarte and REFF RomaEuropa FakeFactory.

This year we will curate, together with our friend Arturo di Corinto, the section of LPM that is called

SENSIBLE DATA

sensibledata

sensibledata

directly from the concept page of the LPM website:

“This year the Digital Freedom Week @ LPM focuses on the domains of information.

Our lives, our forms of expression, the things we buy, our relationships and the things we learn, communicate and share are progressively (if not totally) changing into digital data that is transmitted over digital networks. Open access to data and information, and the possibility to determine how our information is shared and used are key factors to defend our freedoms and rights. Contemporary Visual cultures transform the fundamental role of data in our lives into new paradigms for aesthetics and interactivity, often poetically merging activism and beauty: database aesthetics, visuals produced using enormous sets of public/private data found on digital networks are only two of the forms of artistic expression that over time have produced wonderful sensorial experiences that have been able to both inform and activate the consciences of people worldwide.

This year DFW@LPM wishes to explore the themes of free access to data, information and knowledge: workshops, conferences and live performances will investigate on innovative and creative paths to promote freedoms-through-data.”

So, to make a long story short, we will be at

LPM 2011 in Rome (May 19th – 22nd 2011) at Nuovo Cinema L’Aquila

and at

LPM 2011 in Minsk (September 2011)

promoting and coordinating workshops, performances, discussions and presentations that deal with the ways in which arts, design, creativity and other practices can use open, accessible data sources to enact critical practices and, in a version that is a bit more “extreme”, how we can use currently available technologies to harvest informations from social networks, websites, networks and other possible sources of data (mobile phones, sensors, devices, tagging…) to both critically question the ideas of privacy, freedom of expression, accessibility, public/private space, identity, sexuality, and to understand how we can use these same “dangers” to create practices of reaction, of tactical forms of expression and to promote freedoms and self determination.

We believe that art and creativity have a very major role in this: making information “beautiful”, narrative, poetic, interesting, interactive, engaging (or even shocking and outrageous) and accessible have enormous effects on cultural, cognitive, political and emotional levels.

We are communicating an open call for participation and are also accepting suggestions for workshops and performances.

In this perspective, the best thing you can do is to register at the LPM website and then, after you added at least the basic info about what you’d like to do at LPM 2011, contact me or anyone from the LPM staff. In this way you will help us to share all the info we need to support you and your workshop/performance/exhibit/showcase.

Also feel free to ask for any information here or on the contacts.

Here below are some info material you all might like to view to know more about LPM and its 2011 edition. (in italian for now: expect more info in the next few days here on Art is Open Source, and directly on the LPM website)

LPM 2011 ROME – Press Release, Italian