Human Ecosystems in New Haven

Art is Open Source, Yale World Fellows and the City of New Haven present:

“HENHV” – Human Ecosystems New Haven.
The digital life of a city

Opening Ceremony
December 9th, 2014 | 10.30-11:30am
New Haven City Hall |165 Church St, New Haven
Guests of Honor:
Mayor Tony Harp, Doug Hausladen (City of New Haven), Michael Morand, Professor Alan Plattus, Dr. Michael Cappello (Yale University)

Interactive Exhibit and Closing Party
December 12 | 4:00pm
Yale Center for Engineering Innovation and Design |15 Prospect St, New Haven

December 4, 2014, New Haven – From December 9-12, New Haven’s City Hall will feature the exhibit “Human Ecosystems New Haven: The Digital Life of the City.” Inaugurated by Mayor Tony Harp, the event marks the launch of a project combining art, research, innovation and real-time open data: one that effectively turns New Haven into a “Human-Driven Smart City.” 

Human Ecosystems: Joy in New Haven

Human Ecosystems: Joy in New Haven

PRESS RELEASE:

Yale World Fellow Salvatore Iaconesi (philosopher, robotics engineer, artist, hacker and near-future designer) and his partner Oriana Persico (communications scientist, writer, cultural and social analyst) created the global project “Human Ecosystems” in 2013. This year, the project comes to New Haven. Human Ecosystems captures, in real time, public conversations happening on major social networks in 29 languages.

The enormous amount of data harvested from social networks through the Human Ecosystems project can help city administrators, activists, organizers, artists, designers, researchers and citizens explore New Haven in completely new ways. This new source of real-time, open data will be publicly accessible and will remain in New Haven indefinitely.

As citizens, we have no idea how much information we’re producing on an hourly basis,” says Iaconesi. “We produce it everyday with our online expressions, but at the moment it’s only the social network operators, large corporations and secret services worldwide that can access them. With Human Ecosystems we give back this data to the community, creating a new digital commons, and we can teach people how to use it for their own purposes.

Love in New Haven

Love in New Haven

Since their arrival in August, Iaconesi and Persico have worked side by side with the City of New Haven, Yale professors and students, The Grove New Haven and other city organizations and individuals to bring the project to life.

Our desire as humans is to interconnect,” explains Iaconesi. “Through Human Ecosystems, New Haven’s diverse communities of citizens, activists, students, professors, researchers, cultures and organizations can learn, together, how to tap into the massive amount of data available in the Digital Public Space to create awareness, shared knowledge, civic movement, beauty and communal action.

Iaconesi and Persico began collecting data in New Haven in October, and have conducted a series of intensive open workshops across the city in an effort to teach citizens, researchers, artists and students how use the project.

The possibilities are endless,” says Persico. “You can tap into Human Ecosystems and discover the emotions of an entire city. You can find out where there is joy, love, hate, anxiety, or the sense of financial or physical insecurity. You can see where certain communities and cultures gather, how and why they come together or separate and what influences them.

In learning how to use the system, individuals and groups will be able to create art, data visualizations, generate information about the city and its overlapping, ever-connecting communities, conduct research about their town (and its hopes, fears, dreams, needs and more), research complex scientific and social issues, create civic engagement and action, create new forms forms of social innovation practices and services, and discover new ways to organize citizens.

Human Ecosystems Workshop: The Grove, New Haven

Human Ecosystems Workshop: The Grove, New Haven

From December 9-12, an exhibit at New Haven City Hall will allow citizens will to interact with info-visualizations and participate in data-driven activities allowing them to explore New Haven in completely new ways. There is incredible potential, Iaconesi says, for this project to thrive in New Haven.

In partnership with the City and members of the Yale community, Persico and Iaconesi are working to find the project a permanent home in the community – a “Real Time Museum of the City,” which will feature a human data-connected “plantarium,” a learning laboratory and exhibits.

Human Ecosystems has been established in Rome, Sao Paulo, Montreal, Toronto, Cairo, Istanbul and Budapest. In the next few years it will move across the globe, generating scientific research, artworks, community projects, education projects, participatory decision-making and policy shaping tools. But first City Elm.

***

CREDITS

HENHV is an event created by:

AOS – Art is Open Source; YWF – Yale World Fellows;  The City of New Haven

In collaboration with:

YUDW – Yale Urban Design Workshop; CEID – Yale Center for Engineering, Innovation and Design; CEI – Yale Center For Emotional Intelligence; The Grove; D&I – Yale Design and Innovation Club; PII – Peace Islands Institute; ISYSA – Italian Society of Yale Students and Affiliates

Made possible by:

Yale World Fellows

Yale World Fellows

With the partnerships of:

Yale Urban Design Workshop

Yale Urban Design Workshop

Center for Engineering Innovation and Design

Center for Engineering Innovation and Design

Yale Center for Emotional Intelligence

Yale Center for Emotional Intelligence

The Grove

The Grove

Design & Innovation Club at Yale School of Management

Design & Innovation Club at Yale School of Management

City of New Haven

City of New Haven

 

with the support of:

Eisenhower Fellowships

Eisenhower Fellowships

 

Links & Info

Learn more about the PROGRAM and initiatives in town: http://worldfellows.yale.edu/human-ecosystems-new-haven

Learn more about the Human Ecosystems project: http://www.human-ecosystems.com/

Learn more about Salvatore Iaconesi: http://worldfellows.yale.edu/salvatore-iaconesi

Human Ecosystems on Facebook: https://www.facebook.com/HumanEcosystems

Contact:

Uma Ramiah, Director of Communications, Yale World Fellows

uma.ramiah@yale.edu | +1 203-432-1916

 

Human Ecosystems: Hate in New Haven

Human Ecosystems: Hate in New Haven

 

Human Ecosystems New Haven: Poster

Human Ecosystems New Haven: Poster

Images of the Human Ecosystems in Sao Paulo: the real-time museum of the city

As appeared here in Human Ecosystems: here are some images of the Real Time Museum of the city in Sao Paulo, and of the first workshop which we held there.

More information here: http://human-ecosystems.com/home/human-ecosystems-in-sao-paulo-the-real-time-museum-of-the-city/

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The photo set can be found on Flickr: Human Ecosystems on Flickr

Human Ecosystems in Sao Paulo: the Real Time Museum of the City and Ubiquitous Commons

This article appeared on http://human-ecosystems.com/home/human-ecosystems-in-sao-paulo-the-real-time-museum-of-the-city/

Human Ecosystems is coming to Sao Paulo, at SESC Vila Mariana, from September 23rd to 28th 2014.

From September 23rd to 28th, as a parallel program of the International Meeting on Culture and New Technologies, the SESC Vila Mariana will hosts the Human Ecosystems project, by the Italian artists Salvatore Iaconesi and Oriana Persico (Art is Open Source).

Human Ecosystems is a global project which captures the real-time public conversations happening on major social networks in cities, to analyse them, to create real-time interactive visualisations, and transform them into a source of open data. “This is a crucial point”, states Iaconesi currently in Yale as a World Fellow 2014

“Social networks are our new Public Spaces: citizens are the only ones who do not have access to all this information. In Human Ecosystems we transform this information into a new digital commons, accessible by everyone”.

The event marks the launch of the project in Brazil, in partnership with the Metodista University of Sao Paulo, under the leadership of Dr. Fabio Josgrilberg and his research group, according to which

“It is an innovative and provocative project. Working with Salvatore and Oriana will stimulate research, as well as opportunities for collaboration with civil society”.

In Vila Mariana the Relational Ecosystem of the City will become a work of art in the “Real Time Museum of the City“.

Situated in the beautiful Atrium, visitors will be immersed in the real-time city, exploring the emotions,desires and issues discussed by citizens, understanding the flows of information and knowledge, and how people constantly form networks, and human constellations.

“It directly engages people’s perception and imagination”, points out Persico.

“When confronted with visualizations, people are surprised to discover that they are close or distant from each other, how people and organizations in the city are connected or distant, and more.
A new set of opportunities immediately becomes possible: to identify communities with similar, dissonant or complementary perspectives; people who are discussing issues of common interest; establishing contacts and forming new relationships. You can even start asking questions to the city: where do people go to have fun? Where do they talk about football, ecology, or punk music? Which roles do they assume in their communities? Possibilities for research and to gain a better understanding of the city’s social dynamics are endless”.

Together with the installation, a two day open workshop completes the experience.

Participants will learn how to use the Human Ecosystems platform to extract and visualize data, and use it to create new scenarios for the city of San Paulo: for culture, business, knowledge, policy making, participation, freedom.

According to Bruno Rondani, chair and founder of Wenovate,

“the exhibit, together with the workshop, will allow people to interact with data in a human and artistic perspective. This possibility itself is a great source of new other possibilities. We are very interested in the potential of the Human Ecosystems project to become a source, and even a tool, for people to develop projects and ideas related to the concept of innovative cities.”

Human Ecosystems is a global initiative. It has already started in Rome, Toronto, Montreal, Detroit, Istanbul, Cairo, and it is being used as a tool for planning, cultural policies, art, civic engagement.

In 2013 Human Ecosystems has been awarded the “Consequential Outcomes” Grant of the prestigious Eisenhower Fellowships.

Links

Info&Contacts

For press, information about the project, the installation and the workshop, email:oriana.persico@gmail.com

To interact directly with the AOS team and other participants, subscribe the Human Ecosystems Facebook Page: https://www.facebook.com/HumanEcosystems

 

Credits

Human Ecosystems San Paulo is an event sponsored by:

SESC Vila Mariana

in collaboration with:

Universitade Metodista of San Paulo

supported by:

Wenovate

Concept & Realization:

Salvatore Iaconesi and Oriana Persico [ AOS – Art Is Open Source ]

Brazilian producer:

Daniel Gonzalez

Technical & Infrastructure supervision:

Caleb Luporini

Storytelling & Communication Team:
Fábio Botelho Josgrilberg
Luiz Fernando Ramalho
Silmara Sgoti

Human Ecosystems: the installation in Sao Paulo

Human Ecosystems: the installation in Sao Paulo

10 Minutes in Detroit

An information visualisation built using the Human Ecosystems will be featured at the Gallery Project, in Detroit, for the Unseen exhibit.

10 Minutes in Detroit captures all the social networking activity in the city of Detroit on June 30th 2014 and visualises it in a series of different ways, using the Human Ecosystems ( http://human-ecosystems.com/home/ ).

The exhibit will be in Detroit from August 1st to August 31st, 2014 (Eastern Market, 1550 Winder, across from Red Bull House of Art, Detroit, MI) and in Ann Arbor from September 12th to October 12th, 2014 (Ann Arbor Art Center, Ann Arbor, MI).

Unseen is curated by Rocco DePietro and Gloria Pritschet

The quest to see lies at the heart of human urgency. To breach the barrier between the visible and the invisible is compelling, emotional, informative and even magical. This process of discovery has always driven thinkers and image makers: artists, scientists and philosophers, from astronomers to nanotechnologists, from documentarians and data analysts to planners and prognosticators. As the unseen becomes seeable and seen, a pivot occurs, revealing and demanding irreversible change. No one who has seen is ever the same.

The invisible may be unseen for many reasons. It may be purposely covert for socio-political or military reasons, or to hide corruption or actions contrary to the public good. It may be inadvertently unseen because of the limits of technology or its applications, or the limits of human perception or comprehension. It may be willfully unseen from lack of curiosity, imagination, salience, awareness, or limitations of perceptual processes.

Many contemporary artists and scientists are dedicated to expressing the unseen and to making the invisible visible. They may be motivated to advance their disciplines, or may be fascinated by the prospect of discovery, or the challenge and adventure of harnessing emerging technologies to express ideas. They may believe it is important to uncover secrets, to disclose purposely hidden information, some of which strikes at the heart of democracy, personal privacy, individual well-being, individual freedom, the public’s right to know, and the health and survival of planet Earth. They may seek to awaken consciousness to initiate conversation about outcomes, implications and possibilities.

This exhibition invites the participants to visualize and express the unseen, and to comment on the impacts of the transformed vista.

In Unseen, participants’ work may express a range of conceptual dimensions. For example, they may be disclosing the purposely hidden or the inadvertently unseen. They may seek out significant and impactful information or simply delight in the creative, visually beautiful or surprising. Participants’ work may also express a range of thresholds of visibility. For example, they may be exploring micro, meso or macro levels of invisibility, from microbial and sub-atomic worlds to social, global and universal phenomena. Several examples follow:

The Hubble and Kepler telescopes are discovering evidence of earthlike and superhabitable planets, whose conditions for sustain carbon-based life surpass those of earth. However much of space is unseen by us, for intentional covert reasons or because we lack the means to perceive it.

In his book Dark Skies, Trevor Paglen, uses time-lapse photography with super sensitive equipment to capture images of military spy satellites streaking across the night sky. Photographed over a landscape reminiscent of Ansel Adams, the images are chilling reminder of what’s up there unseen.

Remote sensors and sonar probe deep within the earth and below the ocean floor in places like the arctic (where over 90% of Russia’s natural gas is located) mapping caches of gold, uranium, and rare earth minerals. Private corporations often own the proprietary maps. These same technologies offer crucial information to science, for example, in marine and desert archeology and research.

Environmental pollution related to deep earth mineral and gas extraction, and droughts; ancient aquifers are drained, the land debased, the water supply is poisoned and behind the guise of efficiency and technological advances.

Study of long term-data for natural cycles and systems reveals climate patterns, meteoric and volcanic activity, intense solar storms, and models their relationship to human activity and potential catastrophic impacts.

Disadvantaged individuals and groups that are invisible due to personal attitudes, social policy, and a history of neglect, e.g., the elderly and incarcerated black youth.

Architects and artists are working to reinterpret space in cities. Art is Open Source depicts the layers formed by people who uniquely shape the space through their use of mobile devices, ubiquitous technologies, and social networks.

Data art amasses complex critical information and presents it visually appealing and easily readable formats. Josh Begley, the originator of Dronestream, which documents the increase in drone strikes in the past decade, has created a new Apple App, Metadata, which documents drone strikes in real time.

Genetic research and engineering have enabled modification and selection of traits in foods, opening broad argument about health, safety, the power of chemical companies, and international meddling.

The Human Genome Project has sequenced the chemical base pairs of human DNA, making possible cloning technologies and genetic choice (babies by design). Private companies offer genetic tests for illness predisposition. This new era in genetics opens reconsideration of human identity, illness and morality.

Google Earth Outreach is mapping indigenous people around the world. The project protects 600,000 acres of the Surui of Brazil from exploitation, illegal mining and logging Photographer Martin Schoeller, with National Geographic, is bringing the issues facing lost tribes to global attention. Impact of such projects on their way of life is uncertain.

Animal research has revealed highly differentiated sounds and as yet untranslated complex language among elephants, dolphins, and other mammals. Increased understanding of animal language, emotion and culture challenges narrow preconceptions of animals as lesser beings, as food or objects for our entertainment.

American intelligence gathering is largely covert and secret. Edward Snowden, in revealing the extent of information collected about ordinary citizens, awakened awareness and initiated a change in generally held assumptions.

Cyber warfare, increasing in sophistication and run by rogue and government sanctioned hackers, challenges the security of nuclear facilities, financial systems, and personal data. There are no visual maps for understanding cybercrime.

Secret drone strikes in Yemen or Pakistan are supported by networks of underwater fiber optic cables, military satellites and command centers, remote sensing and vision systems, and superfast computers. Congress’ decision to continue their control in the CIA, rather than to transfer it to the Defense Department insures that they remain secret.

HAARP (The High Frequency Active Auroral Research Program) is an ionospheric research program jointly funded by the Defense Department and private contractors. HAARP analyzes the ionosphere and investigates the potential for developing ionospheric enhancement technology for radio communications and surveillance. Some say one of its goals is to transmit electricity wirelessly. Based in Gakona, Alaska, some experts say that HAARP is capable of modifying weather, disabling satellites, causing air crashes, earthquakes, droughts, storms, floods, and even disease.

There is a whole category of contemporary art this is full of technical and creative surprises. These works might involve hidden images, inference of the presence of the objects and content when they are not there, and movement that alters the visual and perceptual field. Some can only be fully realized with the participation and imagination of the viewer.

Human Ecosystems at ArtSci Salon in Toronto

The Human Ecosystems project is going to Toronto, at the Fields Institute for Research in Mathematical Sciences for ArtSci Salon, to start the real-time observation of the city, and for a first workshop on real-time cities, ubiquitous information, commons and the new public spaces (and some information visualization and BigData, too).

Here below the info about the event, as it appeared on the ArtSci Salon blog post about Human Ecosystems:

We are very excited to invite you to the Canadian launch of Human Ecosystems, a collaborative project by Salvatore Iaconesi and Oriana Persico a.k.a. Artisopensource (AOS) (http://www.artisopensource.net/)

Salvatore and Oriana are visiting Toronto and will launch the project with a hands-on collaborative intervention.

Join us on Wednesday, Feb. 5 at 6:00 pm
this will be a hands on event, so bring your laptop!

Where:

the Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto

This is the perfect occasion to kick off Subtle Technologies 2014 theme on “Open Culture” to celebrate the ways artists and scientists are creating tools and techniques to harness the collective power, knowledge and creativity of the citizen.

About the Project:
Human Ecosystems is a family of real-time systems capturing information from social networks to visualize cities’ human geographies and affective flows. Human beings generate an enormous amount of public information during their daily lives to express their emotions, desires, visions and ideas. Using a set of technologies to map public communication flows on social networks in the city, this project reclaims a novel form of public space: the human infoscape. Human Ecosystems seeks to achieve new understanding of the ways in which different cultures express opinions, emotions and affect. Most importantly, it seeks to reveal how cities’ relational ecosystems are formed and which roles different people assume in their communities (influencers, hubs, experts, amplifiers, bridges among different communities etc…). Human Ecosystems has been launched in Rome (Italy) and S.Paulo (Brazil) producing accessible OpenData maps and visualizations that can be monitored in time and space, revealing the emergence of entirely different cities within the same city, their affective flows, their aggregations and diasporic streams.

Click Here for More info on the Human Ecosystems project
BIOS

Salvatore Iaconesi is an interaction designer, robotics engineer, artist, hacker. TED Fellow 2012 and Eisenhower Fellow since 2013. He currently teaches Interaction Design and cross-media practices at the Faculty of Architecture of the “La Sapienza” University of Rome, at ISIA Design Florence, at the Rome University of Fine Arts and at the IED Design institute.

Oriana Persico holds a degree in Communication Sciences, is an expert in participatory policies and digital inclusion. She is an artist and writer. She has worked together with national governments and the European Union to the creation of best practices, standards and researches in the areas of digital rights, social and technological innovation, Digital Business Ecosystems (DBE), practices for participation and knowledge sharing.