Yale World Fellowship 2014

Salvatore Iaconesi has just been selected as Yale World Fellow 2014.

During the fellowship, which will last from August to December 2014, he will expand the concept of Ubiquitous Commons, in an attempt to reframe the concept of Public Space, to adapt it to the current and future scenarios of human life, in which ubiquitous digital technologies and networks have radically transformed the ways in which we relate, work, learn, communicate and collaborate.

Here are the Yale World Fellows for 2014: https://digitalworldfellows.squarespace.com/

Here is Salvatore’s profile on Yale World Fellowship website.

And here is the official press release:

YALE News Release

Contact:
Uma Ramiah, uma.ramiah@yale.edu, (203) 432-1916
Director of Communications, Yale World Fellows 
http://worldfellows.yale.edu

Sixteen Global Leaders Named 2014 Yale World Fellows

New Haven, Conn., U.S.A. – A robotics engineer, an award winning actress and director, a Syrian peace activist, a 2012 candidate for President of Iceland and 12 other multitalented, global leaders have been named 2014 Yale World Fellows. This year’s cohort brings the total number of World Fellows since the program’s inception in 2002 to 257, representing 83 countries.

“Like prior cohorts, this year’s Fellows are dynamic, high impact practitioners committed to effecting positive change,” said Yale World Fellows Director Michael Cappello, professor of Pediatrics at Yale School of Medicine. “Through the Fellowship, Yale will provide these global leaders the valuable opportunity to take a step back from the intensity of their work and to develop a strategic vision for elevated impact at the national and international level.”

Yale World Fellows is Yale University’s signature global leadership development. Each year, the University invites a group of exemplary mid-career professionals from a wide range of fields and countries for an intensive four-month period of academic enrichment and leadership training.

“It is a privilege to welcome these impressive leaders to campus,” said Yale President Peter Salovey. “Each year, World Fellows enrich the educational experience of Yale students through participation in classes, delivering presentations on campus, and individual mentoring. Through their experiences on the ground, they also provide valuable context and practical perspectives that inform the scholarly pursuits of Yale faculty seeking to address today’s most pressing global challenges. This innovative program continues to represent the very best of Yale’s efforts to educate and inspire future leaders.”

The Fellows:

Yale World Fellows are mid-career professionals with an exceptional record of accomplishment in the public, private, or non-profit sector. Selected from thousands of applicants, they are dynamic, creative practitioners and disruptive thinkers. Fellows work across national boundaries and disciplines: in technology, art, finance, politics, social entrepreneurship, government, media, advocacy and more. Each cohort is carefully assembled, taking into account geographical, cultural, economic, and sector diversity and a rich variety of political and social views.

The Program:
The Yale World Fellows Flagship Program recruits 16 international Fellows to Yale each year for an intense and transformative confluence of ideas, worldviews and experiences. Fellows partake in both structured and individualized learning opportunities, with access to Yale’s unparalleled academic resources and world-renowned faculty. The Program creates space and time to broaden perspectives and deepen funds of knowledge – presenting a unique opportunity in today’s fast moving world. From August to December, the 2014 World Fellows will participate in specially designed seminars in leadership, management, and global affairs taught by leading Yale faculty; audit any of the 3,000 courses offered at the University; engage in discussion and debate with a wide range of distinguished guest speakers; receive individualized professional development training; and deliver public talks on their work, their countries, and the issues about which they are passionate.

The Mission:

The mission of Yale World Fellows is to cultivate and empower a community of globally engaged leaders committed to positive change through cross-disciplinary dialogue and action. We challenge leaders to become more agile and creative in response to the pressures of accelerating change. We encourage them to think beyond their disciplines and sectors, and to question the status quo. Our work is based on the belief that effective leaders need broad knowledge, a network of trusted collaborators, and the courage to create “new normals” in all sectors of society.

See http://worldfellows.yale.edu/2014 for digital version of this release with bios.

For more information on the program, visit http://worldfellows.yale.edu

Yale World Fellows logo

Yale World Fellows logo

 

 

Incautious Porn at SSN2014 in Barcelona

We’ll be attending SSN2014 (the 6th Biannual Surveillance and Society Conference) in Barcelona to present the outcomes of our Incautious Porn project: an anthropological experiment in blackmail and the perception of private/public space online.

From the conference site:

Contemporary surveillance is characterised by ambiguities and asymmetries. Surveillance results from different desires and rationales: control, governance, security, profit, efficiency but also care, empowerment, resistance and play. Surveillance is never neutral. Surveillance is always about power and that power is increasingly asymmetric. Surveillance practices are also changing and as ‘smart’ surveillance systems proliferate utilising and generating ‘Big Data’ new forms of ambiguity and asymmetry arise.

We will be presenting the Incautious Porn project:

Incautious Porn, an anthropological experiment in blackmail and the perception of private/public space online

 

“We have radically changed our perception of what is public and what is private.

 

While using social networks, search engines and websites determining who has access to our information, our personal details, our habits and preferences is often complex or not easily accessible.

 

Each person‘s information is sold hundreds of times each day, while surfing websites and social media sites, with information passing from one provider to the other in ways that are subtle and non-transparent: data collected on one site may be used on other sited to sell us advertisements or to investigate on our lives.

 

On top of that, most people tend to interpret social media sites as new forms of public spaces, and it is fundamental for service providers‘ strategies that this perception is maintained, to promote our full disclosure, allowing them to collect even more data about ourselves.

 

We used the project Incautious Porn to investigate on this scenario, to explore the shifting and blurring of the boundaries of what we perceive as our privacy and as our private and public spaces.

 

Incautious Porn uses the operations of a fake company systematically invading our privacy (even to the point of performing simulated forms of blackmail) to collect enormous amounts of information which we have used to analyze this scenario.

 

In Incautious Porn art acts both as a sensor on the transformation of human societies and as a tool for analyzing its effects.

 

The effects of the Incautious Porn project and communication campaign have been massive, bringing it to the attention of a large, global, audience and, thus, allowing the research team to benefit from a large data set.

 

Furthermore, the actions of the blackmailing fake-company have been led using an ethical approach: no money was taken from people, and all their personal data has been preserved, also using the initiative as a testing lab for novel privacy and security preservation techniques, and as a campaign for awareness about the transformation of people‘s perception of contemporary private/public spaces.”

On: 25th April 2014, at SSN2014, at the CCCB, street Montalegre 5

Anthropological Innovation: observing and understanding the mutation of human life

Anthropological Innovation on il Sole 24 Ore

Anthropological Innovation on il Sole 24 Ore

Our article about an Anthropological view on Innovation appeared today on Nòva24, the inset of Il Sole 24 Ore, Italy’s most influential financial newspaper. Our impressions after the 7 weeks on the Eisenhower Fellowship.

Here it is, below, translated in English and with some information and links added.

Anthropological Innovation

Private spaces change and they become “privatised”. A network exploration withe the Eisenhower Fellowships. Searching for meaning. With urgency.

By Salvatore Iaconesi and Oriana Persico

Published on Nòva24, Il Sole24Ore, July 28th 2013

 

Everything has changed.

But what is the meaning of this change?

We know that it starts with the emergence of different factors:

  • the ubiquitous accessibility of digital technologies and networks;
  • the shifting of the boundaries between what we perceive as our private and public spaces;
  • the crisis of the global finance, of identity, and of the models we used before the rise of the era of information, of knowledge and of global interconnection.

But we don’t know the consequences.

With this latent question in mind, we set off for two months of travelling in the United States for our Eisenhower Fellowship.

We discovered that at the White House Office for Science & Technology Policy they are actively searching for tools and methodologies to observe and comprehend this anthropological mutation.

That at the Institute for the Future they are asking themselves what happens when an organization realizes that their objectives can be filled only by establishing a wider perspective on what it means to have a vision about the future.

That at the Aspen Institute they are starting to go beyond the idea of objective privacy, reflecting about the concept of expectation, our perceived privacy, the one that we have learned to recognize around us through society and culture.

That at the Institute for Human Centered Design, Valerie Fletcher highlights the importance and richness of the diversity and poliphonicity of the world.

We act as engaged observers, taking part in the conversations.

At the MIT MediaLab Sep Kamvar invites us for a public talk about the transformation of the concept of map: generative info-scapes (informational landscapes) created by harvesting ubiquitous digital interactions.

Organizations such as the University of Texas, the Kauffman Foundation, KCNext, Stanford, Harvard and Carnegie Mellon show deep interest when we offer to promote joint efforts to design and implement anthropological observation environments based on social networks, sensors and networks, to highlight recipes, emerging rituals, errors, opportunities and mutations.

But our search for meaning is not the mere sum of all these research approaches.

We now can benefit from the availability of many of the tools and methodologies we need to confront with the present, such as BigData, Open Data, the Cloud, social networks and infinite ways to share informations and knowledge.

Despite this, we all really have a hard time in promoting a transformation which is not about “consumption”, and which represents a real opportunity for the development and well-being of humanity.

A large part of the meaning that we were searching for can be found by observing the mutation of the ways in which perceive public and private spaces.

Hundreds of years of cultural development have taught us to establish reasonable expectations about the effects of our behaviour in public and private spaces. In the digital era everything changes: identity becomes a floating, fluid concept, expressing itself through spaces that we perceive as public or intimate, but which are really a privatized something else.

On one side is Anonymous, on the other is Facebook. And a whole lot is in between.

On one side is the possibility to use the network to be “uno, nessuno e centomila” (“one, no-one and one-hundred-thousand“). On the other side are spaces which we perceive as being public, but which are truly privatized, in which our information is sold hundreds of times each time we click, it doesn’t matter if to the NSA or to the companies trying to sell us french fries or sneakers.

Google is a good example for this. A new, super-national, entity which is able and willing to assume an active role in trying to find solutions for humanity’s most pressing problems (just think about the Google Cars project, assessing energy and transport, or Project Loon for digital divide).

But Google is also a representation of the condition which is needed to access these solutions: to completely transform the ways in which we perceive the difference that runs between the public and private domains, to adhere to a vision which is in total favour of business objectives of the service provider.

This state of continuous disruption causes cognitive dissonance: the solution to the world’s largest problems and issues – such as environment, sustainability, energy and access – at the price of a radical transformation and what is, to all effects, a jump into the void.

We are in no way able to predict the long terms effect of this jump into the void (it is a disruption, after all).

What is given is the possibility to comprehend the radicality of the transformation.

Large operators have learned to highlight and to valorize their vision about their proposed social, political, energetic and ecosystemic transformation, using it in “performative” ways to engage people in this mutation, thus making it perceptible and palpable: an object of desire for global conversations.

It is important to understand that this is a top-down process: a suggestive vision is made available to people to try and determine their active participation to a certain agenda.

Too little is being done to promote the cultures whose objective is to create the perceptive access to the possibility for joint efforts to design the present and the future, to comprehend and desire that this process takes place at civic level, to establish the practices of coexistence and participation.

For example, the practices of Open Innovation – in which challenges are published onto which wide communities gather to collaboratively find solutions and answers – don’t have a whole lot to say about the Hows and Whys that will enable those same communities to let their own challenges emerge, with the objective to improve the practices for coexistence among human beings.

The dynamic interweaving of the relations in human ecosystems goes well beyond what can be obtained by counting hashtags on Twitter.

It is about perceiving and using the anthropological complexity of communities and societies.

And it implies the possibility of conceiving radical transformations that will enable and support the opportunity for coexistence of the recombinant communities which constitute the digital era.

And this is a reflection on which the Mediterranean, with its mix of cultures and approaches can have a lot to say, share and give.

Anthropological Innovation of il Sole24Ore

Anthropological Innovation of il Sole24Ore

a video Atlante di Roma / Atlas of Rome

our friend and magician filmmaker Gianmarco Bonavolontà produced this video of the Atlas we produced for the Festa dell’Architettura a few days ago, a large scale interactive installation for public spaces.

Atlante di Roma / Atlas of Rome from gimbo on Vimeo.

Enjoy!

Atlante di Roma / Atlas of Rome

design by FakePress

implementation by Art is Open Source

curated by Paolo Valente

Atlante di Roma / Atlas of Rome

[ ITALIAN ]
l’Atlante è un sistema aperto che raccoglie visioni sulla città. Progetti, azioni, pubblicazioni, siti web, teorie. Tutto ciò può essere incluso nell’atlante per creare uno spazio di informazione condivisa.
L’Atlante vive a cavallo dello spazio digitale e di quello fisico.
Atlante delle visioni

Atlante delle visioni

Sul web, un sistema aperto permette di inserire le proprie visioni e di consultare quelle presenti sul territorio, nel tempo e nello spazio semantico delle tematiche.
Nello spazio fisico l’Atlante si manifesta come una grande installazione pensata per essere inserita nello spazio pubblico. Qui le persone possono consultare l’Atlante sia osservandone le grandi rappresentazioni infoestetiche, sia utilizzando degli schermi multitouch che permettono di interagire direttamente con la superficie proiettiva cercando le informazioni secondo la navigazione per categorie e tag.

Le mura degli spazi pubblici si animano, comunicando la stratificazione di molteplici punti di vista, idee, progettualità, eventi e voci che definiscono la vita della città, le sue emozioni, i suoi desideri.
L’Atlante è un progetto aperto, istanziato per la prima volta per la città di Roma, dove è nato sotto la cura di Paolo Valente e commissionato dall’Ordine degli Architetti per la Festa dell’Architettura del 2010 (Index Urbis http://www.indexurbis.it/ ) con il nome di Atlante di Roma, con la fondamentale collaborazione dell’Assessorato alla Comunicazione e alle Politiche Culturali del Comune di Roma.

Il progetto si fonda sulla creazione di un complesso network di istituzioni, professionisti, accademici, e di soggetti che esprimono o raccontano nel loro operare quotidiano le visioni sulla vita e sulle possibili evoluzioni delle città, delle relazioni e interazioni tra i loro abitanti, dell’evoluzione degli spazi pubblici, dell’informazione e dell’interazione sociale.
L’esperienza si estenderà, nei prossimi mesi, ad altre città sia in Italia che nel resto del mondo.
[ ENGLISH ]
The Atlas is an open system gathering visions on the city. Projects, actions, publications, web sites, theories. Everything can be included in the atlas to create a shared information space.
The Atlas lives across digital and physical spaces.
On the web, an open system is used to add visions and to access the ones that are already present through territory, time and the semantic space.
In the physical space, the Atlas is a large scale installation designed for public spaces. Here people can access the shared information either visually, by observing the 35 meter wide information aesthetics, or they can directly interact with information by using multitouch screens allowing direct connection to the projected surface, browsing information through categories, territories and times.

The walls of the public spaces animate themselves, communicating the stratification of the multiple points of view, ideas, projects, events and voices that define the life of the city, its emotions, its desires and strategies.
The Atlas is an open project, instantiated for the first time in the city of Rome, where it has been curated by Paolo Valente and commissioned by the Order of the Architects for the Festa dell’Architettura 2010 ( Index Urbis http://www.indexurbis.it/ ) with the name “Atlante di Roma”, with the fundamental collaboration of the Council for Communication and Cultural Policies of the City of Rome.

The project is based on the creation of a complex network of institutions, professionals, academics and other subjects expressing or telling the visions on the life and on the possible evolutions of the city, of the relations and interactions among its citizens, of public spaces, of information and social interaction.
The experience will be replicated, during the next months, in other cities both in Italy and in the rest of the world.

——-
CREDITS
——-
a cura di / curated by:
Paolo Valente
Progettazione / Project:
Realizzazione / Implementation:
Art is Open Source ( http://www.artisopensource.net )
Interaction design, experience design, information aesthetics, sound & environment design:
Salvatore Iaconesi
Information architecture e network politics:
Oriana Persico
con la collaborazione di / with the collaboration of:
Alessandro Tartaglia
il team tecnico del partner technologico AVSet, a cui va un ringraziamento speciale, è composto da / the technical team of our technological partner AVSet, to whom goes a special thanks, is composed by :
Mauro Iezzi
Marco De Angelis
Gianluca Faustini
Maurizio Muglia
e
Bruno De Matteis

un ringraziamento speciale per / special thanks to:
Monica Scanu e Alessandro Ferrante per la creation del network legato alla rete museale del Comune di Roma e per le Accademie e gli Istituti Internazionali di Cultura di Roma / for the creation of the network of the museums of the City of Rome and for the Academies and International Cultural Institutes of Rome
L’Ordine degli Architetti Pianificatori Paesaggisti e Conservatori di Roma e Provincia http://www.architettiroma.it/
Festa dell’Architettura ( http://www.indexurbis.it)
Cultura Internazionale Roma ( http://culturainternazionale.wordpress.com )
Performing Media / Urban Experience di Carlo Infante ( http://www.performingmedia.org/ e http://urbanexperience.ning.com/ )
Musei in Comune 2.0 e Marina Bellini ( http://museiincomuneroma.wordpress.com/ )
The Hub Roma ( http://www.hubroma.net/ )
Next Exit/Roma Creativa e Daniela Ubaldi
Roma Contemporanea e Rossella Reale ( http://www.mappaitaliacontemporanea.it )