Ubiquitous Commons at NetFutures 2015

this news article appeared on the Ubiquitous Commons website.

A preview of the Ubiquitous Commons first prototype has been presented at the NetFutures 2015 event held in Brussels, during the CAPS concertation meeting, for the special topic regarding Distributed architectures for decentralised data management.

This, below, is the presentation used at the event:

During the event the first prototype implementation has been released for the Ubiquitous Commons first concept, featuring a browser plugin which allows data-subjects to apply their own licensing schemes to the content they produce online, and to create shared, collaborative dynamics around people’s data and information.

the Ubiquitous Commons reference diagram

the Ubiquitous Commons reference diagram

Ubiquitous Commons presented at NetFutures 2015

Ubiquitous Commons presented at NetFutures 2015

Ubiquitous Commons: governance in the age of hyper-connectivity

(this post comes from our sister project, the Ubiquitous Commons: http://www.ubiquitouscommons.org/ubiquitous-commons-article-on-nova-24-on-il-sole24ore-governing-hyperconnectivity/)

An article has appeared today on Nòva 24 on il Sole 24 Ore, explaining the major concepts regarding the Ubiquitous Commons, as well as a series of scenarios on health, science, open access, privacy and the transformation of the concept of property.

The article can be seen in the print version of the newspaper on sale today (March 1st 2015) and you can see a preview in the scans below.

A series of accompanying articles (also accessible through the augmented reality application for Nòva24) can be accessed here:

The articles are in Italian, and they will soon be translated in other languages.

Here are some preview scans below:

Stakhanov, a BigData god, predicts human futures

Stakhanov is a BigData god.

It is a reflection about the role which we, as human beings and as members of society, are attributing to data, information and algorithms.

Stakhanov installation

Stakhanov installation

Stakhanov captures public information from millions of people on social networks, and searches for patterns through it, using people’s locations, emotions, topics of interests and relations.

When it finds these patterns, it uses them to make predictions about people.

Predictions about where people will be, about their emotions in certain contexts, about at what time they will be doing which activity, about who they will relate with, or who they will be close to in space.

Stakhanov continuously harvests social networks for information and data, making connections, assumptions, correlations, using them to predict the future.
 
Line-by-line, it emits its verdicts about what will be and that which won’t.
 
Millions of people agree on the probability of a certain event? Fine, Stakhanov agrees, too, and it predicts it as a certain future.

Stakhanov prints out predictions

Stakhanov prints out predictions

 
You went running on the last three tuesdays, as documented by neat little maps published on Facebook? Well, Stakhanov predicts that you shall happily jog next tuesday, too: the gods-of-data say so.
 
This is the Word, coming from the Data-Above, in The Cloud.
 

A playful neo-religious data-invasion of privacy, false-hopes and the ingenuity in contemporary determinism.

During transmediale’s opening ceremony, Stakhanov gave a short speech which was generated by capturing all of the relations which the festival established in the past 3 years on social networks with thousands of people. The topics and emotions expressed in all of the social network conversations captured in this way were processed using natural language analysis to attempt a prediction on the possible topics for the festival’s next editions, and to express the major concerns and interests of the transmediale’s audience and reference communities.

Here is what came out:

 

Here are some images from the exhibit:

In the exhibit, a series of prints showed Stakhanov’s cosmology.

Stakhanov is a wordplay between Alexey Stakhanov, the epic russian mine worker who became famous for breaking all production records, and the Stacks, a term described by Bruce Sterling to indicate how we are not really using Internet anymore, but a series of Stacks, closed ecosystems owned by large corporations, such as Fecebook, Google, Amazon or Apple.

Thus, Stakhanov is the god using the Stacks to continuously and constantly mine people’s information, to produce the future.

We can use the images below to understand more about Stakhanov’s cosmology.

Stakhanov's cosmology 1

Stakhanov’s cosmology 1

In this image, we see how human beings live in the Socialis Continuus, in which we are ourselves, with our identities, relations, emotions.

We are influenced by Stacks, large corporations which now largely control how we access the Internet, and which also define large parts of the ways in which we relate, are fulfilled, gain access to knowledge, etc.

The Stacks use our actions to understand who we are, creating profiles which represent us, in the Stack Veritas.

Algorithms process our profiles and their relations to create other information about us, a description of reality, in the Res Algoritmica.

Stakhanov grabs all of this and searches for patterns within it, to make predictions, which might influence us.

Stakhanov Cosmology 2

Stakhanov Cosmology 2

In our daily lives we are Hacceitas, our selves, with our relations, identities, emotions, actions, thoughts, etc.

In the transition to our digital lives, some of this information is transformed: we become an Imago, a representation of ourselves.

Stacks create this Imago, the representation of ourselves in the digital domain. Thus, they are the Artifex (the artists, creating the representation of life)

Stakhanov captures the Imago of people, and searches for patterns in them, across time, locations, emotions and activities. When it finds patterns, it organises them into a Forma.

The Forma are used to create predictions, the Prophetia, which we come to know, and influence us.

Stakhanov Cosmology 3

Stakhanov Cosmology 3

Our Imago is represented in the Cloud, which is only truly accessible by the Stacks and a limited number of other, interrelated, subjects and entities, in the Caelum Internum.

Through the APIs other entities, among which is Stakhanov, are able to access the Imago of people, with many limitations and incompletenesses.

This is the Caelum Externum, in which the Imago is partially available, as the Stacks keep most part of them for themselves.

Stakhanov Cosmology 4

Stakhanov Cosmology 4

The last image, shows the Stack’s phylosopy.

In all of this Omnia Sunt Adventores, “everyone is a customer”.

Every person and entity is a customer for the Stacks, with different levels of engagement.

The Hospes, are the people who dedicate attention (Adtentio). Anyone who, for any reason, dedicates time and attention, is already a customer.

The Benevolens are the ones who share information (Informatio), such as their email, behaviour, actions.

The Cliens actually spend money ($).

The Stacks are obsessed with Clients (Clientibus Obsesses).

Here are some of the reactions to the Stakhanov exhibit at transmediale:

http://video.tagesspiegel.de/transmediale-2015-der-krieg-um-unsere-daten.html

http://lorezmag.com/transmediale-2015/

http://www.berlinartlink.com/2015/01/29/exhibition-transmediale-capture-all-disengagement-or-acceleration/

http://www.bln.fm/2015/01/transmediale-2015-die-digitale-komfortzone-als-sanftes-gefaengnis/

http://www.lastampa.it/2015/02/06/torinosette/rubriche/globalisti-a-torino/globalisti-a-torino-j5lIybcZqeGuxKypsCqSeN/pagina.html

http://www.berlin.de/kultur-und-tickets/fotos/events/3755387-1744873.gallery.html?page=3

http://breitband.deutschlandradiokultur.de/brb150131/

http://www.art-in-berlin.de/incbmeld.php?id=3471

http://www.taz.de/1/archiv/digitaz/artikel/?ressort=ku&dig=2015%2F01%2F31%2Fa0217&cHash=058fe10ed80597763dc301c1d6b73131

http://www.ka-news.de/kultur/kunst/art139,1569731

https://www.wired.de/collection/latest/transmediale-ausstellung-kunst-berlin

http://gloriabiberger.de/?p=1854

http://www.srf.ch/kultur/kunst/medienkunst-zeigt-wir-sind-komplizen-der-ueberwacher

http://www.heise.de/newsticker/meldung/transmediale-Das-Smartphone-als-Folterknecht-der-Gedankenpolizei-2534422.html

http://lesflaneurs.de/2015/01/29/der-mensch-und-die-technik/

http://las-berlin.com/transmediale-%E8%BF%9E%E6%8E%A5%E8%89%BA%E6%9C%AF%EF%BC%8C%E6%96%87%E5%8C%96%E4%B8%8E%E7%A7%91%E6%8A%80/

http://www.dattelner-morgenpost.de/freizeit/kunst/Kunstfestival-Transmediale-zeigt-Macht-der-Algorithmen;art256,1485701

Stakhanov: the BigData Oracle for a new era

From Wikipedia:

“In Classical Antiquity, an oracle was a person or agency considered to interface wise counsel or prophetic predictions or precognition of the future, inspired by the gods.
The word oracle comes from the Latin verb ōrāre “to speak” and properly refers to the priest or priestess uttering the prediction. In extended use, oracle may also refer to the site of the oracle, and to the oracular utterances themselves, called khrēsmoi (χρησμοί) in Greek.
Oracles were thought to be portals through which the gods spoke directly to people.”
Stakhanov bigdata oracle

Stakhanov: our new religion?

Stakhanov is the BigData Oracle of the new era.
In the era of Data, Information and Knowledge, Stakhanov is the expression of our new global data-religion.
Stakhanov continuously harvests social networks for information and data, making connections, assumptions, correlations, using them to predict the future.
Line-by-line, it emits its verdicts about what will be and that which won’t.
 
Millions of people agree on the probability of a certain event? Fine, Stakhanov agrees, too, and it predicts it as a certain future.
 
You went running on the last three tuesdays, as documented by neat little maps published on Facebook? Well, Stakhanov predicts that you shall happily jog next tuesday, too: the gods-of-data say so.
 
This is the Word, coming from the Data-Above, in The Cloud.
 
A playful neo-religious data-invasion of privacy, false-hopes and the ingenuity in contemporary determinism.
Join us at the transmediale festival in Berlin from Jan. 28th to Feb. 1st, in Berlin, at the HKW to experience Stakhanov and a workshop on the Ubiquitous Commons, exploring the opportunities and dangers coming from the wide availability of ubiquitous data coming from our lives, relations, bodies and activities, and he ways in which we can turn this scenario to our advantage, as individuals and as a society.
Read more on the transmediale website:

 

NOTE: More detailed explanations about the concept, process and working details (including source code and data-sets) for Stakhanov will be published on Art is Open Source during the festival.

OneMillionDreams at File Festival 2014 in S. Paulo

One Million Dreams will be featured at the File Festival 2014 in S. Paulo, Brazil.

This is the 15th edition of FILEElectronic Language International Festival in São Paulo –, which takes place this year from August 26 to October 5 at Centro Cultural FIESP – Ruth Cardoso.

The festival occupies four spaces in this venue: the Art Gallery, the SESI Digital Art Gallery (building facade), the FIESP Space, and the Mezzanine, besides the pavement of the Consolação, Trianon-Masp, and Brigadeiro subway stations.

The exhibition of FILE SP 2014 presents installations, interactive performances, animations, games designed for several platforms, machinima, video, net and sound art, as well as a selection of Japanese artists’ works in partnership with the Japan Media Arts Festival.

One Million Dreams is featured in the video art section of the festival.

One Million Dreams is a generative video that lasts around 200 hours which shows, instant by instant, a whole year of dreams captured from social networks.

One Million Dreams has been produced through the Human Ecosystems project.