Ubiquitous Commons at NetFutures 2015

this news article appeared on the Ubiquitous Commons website.

A preview of the Ubiquitous Commons first prototype has been presented at the NetFutures 2015 event held in Brussels, during the CAPS concertation meeting, for the special topic regarding Distributed architectures for decentralised data management.

This, below, is the presentation used at the event:

During the event the first prototype implementation has been released for the Ubiquitous Commons first concept, featuring a browser plugin which allows data-subjects to apply their own licensing schemes to the content they produce online, and to create shared, collaborative dynamics around people’s data and information.

the Ubiquitous Commons reference diagram

the Ubiquitous Commons reference diagram

Ubiquitous Commons presented at NetFutures 2015

Ubiquitous Commons presented at NetFutures 2015

“Iperconnessioni Rurali”: hyper-connectivity in rural space

Join us in Calvanico in Italy from April 12 to 14 2015 together with the Rural Hub who made this possible, for an intensive workshop in which we will learn to use social networks to create hyper-connective human dynamics and relations, to promote wide, inclusive participatory and collaborative actions in rural space.

View the program online on Rural Hub’s website.

View additional information about the workshop.

IperConnessioni Rurali, the workshop

IperConnessioni Rurali, the workshop

How can we use network theories – and all of the things we have learned from Netnography and from social networks – to create participatory and collaborative processes whose aim is to build social conscience and activism in cities and in rural areas?

We will find out by using the tools and solutions available in the Human Ecosystems and Ubiquitous Commons projects during the 3 intensive days of workshop held by Oriana Persico and Salvatore Iaconesi from Art is Open Source, and by Alex Giordano, co-director of the Centro Studi Etnografia Digitale, in the mediterranean scenario of the Rural Hub in Calvanico.

IperConnessioni Rurali

IperConnessioni Rurali

Human Ecosystems is a project which is running in multiple cities across the world (Rome, Berlin, Sao Paulo, New Haven, Montreal) to gain better understandings about the relational ecosystems of territories by harvesting opinions, emotions and relations among people in real-time: the dynamic relational architecture of communities and local cultures.

This information, published under the form of accessible Open Data, become part of an inclusive education process in which citizens of every age, designers, researchers, entrepreneurs, public administrators, artists and activists can understand how to use them to create peer-to-peer organizational models, shared decision making processes, collaborative initiatives, social conscience, new services and products, artworks and more.

The project began in cities, using the information spontaneously produced on social networks, and has also been experimented in rural areas and small towns (like Castrignano de’ Greci, in Apulia), using different modalities, Describing what has been called P2P Ethnography.

Ubiquitous Commons is the corollary and necessary complement for all of this. Created by an international network of researchers and activists, the project is designing a legal and technological toolkit which allows people and communities to decide how to use the data and information they produce every day, for example on social networks and in the scenario of the Internet of Things.

At IperConnessioni Rurali (Rural Hyper-Connections) we will work on all of these concepts, theories, data, software, visualizations, social graphs, and flows of information and knowledge in the relational ecosystem of the territory, to understand how to design and implement participatory, inclusive models in rural areas and in small country towns, creating prototypes and application examples.

An opportunity to reflect of the approaches and tools of smart rurality, as enablers of communities.

AOS and Human Ecosystems at Media Arts Festival, with Fondazione Mondo Digitale

Join us in Rome, from Feb. 25th to March 1st for the Media Arts Festival, organized by Fondazione Mondo Digitale. We will talk about creativity, education, the possible future of the arts, and we will hold a workshop on the Human Ecosystems.

Art is Open Source will be present with:

The festival is organized by Fondazione Mondo Digitale, with the following

President
Scientific Committee
Artistic Director
Media Art Festival in Rome

Media Art Festival in Rome

Multipli-cities: a festival in Rome, poliphonic visions on the city, Human Ecosystems

Join us on February 28-28 2015 in Rome,at the Ex Cartiera Latina ( in beautiful industrial complex deep in the Appia Antica Regional Park, in Via Appia Antica, 42) for the 2NC Fest, Multipli-Cities, a biennial event on urban multimedia narratives, offering a focus on cities and on the opportunities which open up when the city is imagined as a polyphony of voices and expressions. There, we will showcase the most recent updates of Human Ecosystems in Rome.

The festival is organised by Visiva and Naked City Project and will offer a complex setup of conferences, installations, screening and live performances focused on the city, and its multiple points of view.

You can find the full program here.

We will be present with HERO (Human Ecosystems Rome), and in a couple of talks and other sessions.

Stakhanov, a BigData god, predicts human futures

Stakhanov is a BigData god.

It is a reflection about the role which we, as human beings and as members of society, are attributing to data, information and algorithms.

Stakhanov installation

Stakhanov installation

Stakhanov captures public information from millions of people on social networks, and searches for patterns through it, using people’s locations, emotions, topics of interests and relations.

When it finds these patterns, it uses them to make predictions about people.

Predictions about where people will be, about their emotions in certain contexts, about at what time they will be doing which activity, about who they will relate with, or who they will be close to in space.

Stakhanov continuously harvests social networks for information and data, making connections, assumptions, correlations, using them to predict the future.
 
Line-by-line, it emits its verdicts about what will be and that which won’t.
 
Millions of people agree on the probability of a certain event? Fine, Stakhanov agrees, too, and it predicts it as a certain future.

Stakhanov prints out predictions

Stakhanov prints out predictions

 
You went running on the last three tuesdays, as documented by neat little maps published on Facebook? Well, Stakhanov predicts that you shall happily jog next tuesday, too: the gods-of-data say so.
 
This is the Word, coming from the Data-Above, in The Cloud.
 

A playful neo-religious data-invasion of privacy, false-hopes and the ingenuity in contemporary determinism.

During transmediale’s opening ceremony, Stakhanov gave a short speech which was generated by capturing all of the relations which the festival established in the past 3 years on social networks with thousands of people. The topics and emotions expressed in all of the social network conversations captured in this way were processed using natural language analysis to attempt a prediction on the possible topics for the festival’s next editions, and to express the major concerns and interests of the transmediale’s audience and reference communities.

Here is what came out:

 

Here are some images from the exhibit:

In the exhibit, a series of prints showed Stakhanov’s cosmology.

Stakhanov is a wordplay between Alexey Stakhanov, the epic russian mine worker who became famous for breaking all production records, and the Stacks, a term described by Bruce Sterling to indicate how we are not really using Internet anymore, but a series of Stacks, closed ecosystems owned by large corporations, such as Fecebook, Google, Amazon or Apple.

Thus, Stakhanov is the god using the Stacks to continuously and constantly mine people’s information, to produce the future.

We can use the images below to understand more about Stakhanov’s cosmology.

Stakhanov's cosmology 1

Stakhanov’s cosmology 1

In this image, we see how human beings live in the Socialis Continuus, in which we are ourselves, with our identities, relations, emotions.

We are influenced by Stacks, large corporations which now largely control how we access the Internet, and which also define large parts of the ways in which we relate, are fulfilled, gain access to knowledge, etc.

The Stacks use our actions to understand who we are, creating profiles which represent us, in the Stack Veritas.

Algorithms process our profiles and their relations to create other information about us, a description of reality, in the Res Algoritmica.

Stakhanov grabs all of this and searches for patterns within it, to make predictions, which might influence us.

Stakhanov Cosmology 2

Stakhanov Cosmology 2

In our daily lives we are Hacceitas, our selves, with our relations, identities, emotions, actions, thoughts, etc.

In the transition to our digital lives, some of this information is transformed: we become an Imago, a representation of ourselves.

Stacks create this Imago, the representation of ourselves in the digital domain. Thus, they are the Artifex (the artists, creating the representation of life)

Stakhanov captures the Imago of people, and searches for patterns in them, across time, locations, emotions and activities. When it finds patterns, it organises them into a Forma.

The Forma are used to create predictions, the Prophetia, which we come to know, and influence us.

Stakhanov Cosmology 3

Stakhanov Cosmology 3

Our Imago is represented in the Cloud, which is only truly accessible by the Stacks and a limited number of other, interrelated, subjects and entities, in the Caelum Internum.

Through the APIs other entities, among which is Stakhanov, are able to access the Imago of people, with many limitations and incompletenesses.

This is the Caelum Externum, in which the Imago is partially available, as the Stacks keep most part of them for themselves.

Stakhanov Cosmology 4

Stakhanov Cosmology 4

The last image, shows the Stack’s phylosopy.

In all of this Omnia Sunt Adventores, “everyone is a customer”.

Every person and entity is a customer for the Stacks, with different levels of engagement.

The Hospes, are the people who dedicate attention (Adtentio). Anyone who, for any reason, dedicates time and attention, is already a customer.

The Benevolens are the ones who share information (Informatio), such as their email, behaviour, actions.

The Cliens actually spend money ($).

The Stacks are obsessed with Clients (Clientibus Obsesses).

Here are some of the reactions to the Stakhanov exhibit at transmediale:

http://video.tagesspiegel.de/transmediale-2015-der-krieg-um-unsere-daten.html

http://lorezmag.com/transmediale-2015/

http://www.berlinartlink.com/2015/01/29/exhibition-transmediale-capture-all-disengagement-or-acceleration/

http://www.bln.fm/2015/01/transmediale-2015-die-digitale-komfortzone-als-sanftes-gefaengnis/

http://www.lastampa.it/2015/02/06/torinosette/rubriche/globalisti-a-torino/globalisti-a-torino-j5lIybcZqeGuxKypsCqSeN/pagina.html

http://www.berlin.de/kultur-und-tickets/fotos/events/3755387-1744873.gallery.html?page=3

http://breitband.deutschlandradiokultur.de/brb150131/

http://www.art-in-berlin.de/incbmeld.php?id=3471

http://www.taz.de/1/archiv/digitaz/artikel/?ressort=ku&dig=2015%2F01%2F31%2Fa0217&cHash=058fe10ed80597763dc301c1d6b73131

http://www.ka-news.de/kultur/kunst/art139,1569731

https://www.wired.de/collection/latest/transmediale-ausstellung-kunst-berlin

http://gloriabiberger.de/?p=1854

http://www.srf.ch/kultur/kunst/medienkunst-zeigt-wir-sind-komplizen-der-ueberwacher

http://www.heise.de/newsticker/meldung/transmediale-Das-Smartphone-als-Folterknecht-der-Gedankenpolizei-2534422.html

http://lesflaneurs.de/2015/01/29/der-mensch-und-die-technik/

http://las-berlin.com/transmediale-%E8%BF%9E%E6%8E%A5%E8%89%BA%E6%9C%AF%EF%BC%8C%E6%96%87%E5%8C%96%E4%B8%8E%E7%A7%91%E6%8A%80/

http://www.dattelner-morgenpost.de/freizeit/kunst/Kunstfestival-Transmediale-zeigt-Macht-der-Algorithmen;art256,1485701