Digital Urban Acupuncture at the Festival delle Generazioni 2014, in Florence

Join us in Florence, from October 2nd to October 4th 2014, for the “Festival delle Generazioni 2014“, to explore the opportunities brought on by the wide availability of Ubiquitous Information, which we will analyse through the methodology of Digital Urban Acupuncture.

(follow the Festival on Twitter here: #FFdG14 )

Art is Open Source and Human Ecosystems will be there with two initiatives:

Le Informazioni attorno a noi” (“Information around us”): a two hours talk and workshop in which we will try to understand what it means for human beings to have the possibility to access information which is embedded in their surroundings, wether it comes from social networks, sensors, databases and more. An Augmented Humanity, capable of accessing the Ubiquitous Infoscape. On October 3rd, from 5:30pm to 7:30pm at the Biblioteca Oblate (Conference hall), in Florence.

Agopuntura Urbana” (“Urban Acupuncture”). Or, even better, Digital Urban Acupuncture. This will  be a peculiar workshop, under the form of an Emotional Scavenger Hunt (a “caccia al tesoro”). In this game we will search for emotions in the city, searching for them on social networks, in the places in which people expressed them. We will try to find what we call “Emotional Landmarks”, places in the city in which certain people, at certain times of the day/week/year, systematically express specific emotions. Join us for a bit of theory and a great emotional scavenger hunt on October 4th, from 4:30pm to 6:30pm at the Bibioteca Oblate (Conference Hall), in Florence.

 

 

Human Ecosystems in Sao Paulo: the Real Time Museum of the City and Ubiquitous Commons

This article appeared on http://human-ecosystems.com/home/human-ecosystems-in-sao-paulo-the-real-time-museum-of-the-city/

Human Ecosystems is coming to Sao Paulo, at SESC Vila Mariana, from September 23rd to 28th 2014.

From September 23rd to 28th, as a parallel program of the International Meeting on Culture and New Technologies, the SESC Vila Mariana will hosts the Human Ecosystems project, by the Italian artists Salvatore Iaconesi and Oriana Persico (Art is Open Source).

Human Ecosystems is a global project which captures the real-time public conversations happening on major social networks in cities, to analyse them, to create real-time interactive visualisations, and transform them into a source of open data. “This is a crucial point”, states Iaconesi currently in Yale as a World Fellow 2014

“Social networks are our new Public Spaces: citizens are the only ones who do not have access to all this information. In Human Ecosystems we transform this information into a new digital commons, accessible by everyone”.

The event marks the launch of the project in Brazil, in partnership with the Metodista University of Sao Paulo, under the leadership of Dr. Fabio Josgrilberg and his research group, according to which

“It is an innovative and provocative project. Working with Salvatore and Oriana will stimulate research, as well as opportunities for collaboration with civil society”.

In Vila Mariana the Relational Ecosystem of the City will become a work of art in the “Real Time Museum of the City“.

Situated in the beautiful Atrium, visitors will be immersed in the real-time city, exploring the emotions,desires and issues discussed by citizens, understanding the flows of information and knowledge, and how people constantly form networks, and human constellations.

“It directly engages people’s perception and imagination”, points out Persico.

“When confronted with visualizations, people are surprised to discover that they are close or distant from each other, how people and organizations in the city are connected or distant, and more.
A new set of opportunities immediately becomes possible: to identify communities with similar, dissonant or complementary perspectives; people who are discussing issues of common interest; establishing contacts and forming new relationships. You can even start asking questions to the city: where do people go to have fun? Where do they talk about football, ecology, or punk music? Which roles do they assume in their communities? Possibilities for research and to gain a better understanding of the city’s social dynamics are endless”.

Together with the installation, a two day open workshop completes the experience.

Participants will learn how to use the Human Ecosystems platform to extract and visualize data, and use it to create new scenarios for the city of San Paulo: for culture, business, knowledge, policy making, participation, freedom.

According to Bruno Rondani, chair and founder of Wenovate,

“the exhibit, together with the workshop, will allow people to interact with data in a human and artistic perspective. This possibility itself is a great source of new other possibilities. We are very interested in the potential of the Human Ecosystems project to become a source, and even a tool, for people to develop projects and ideas related to the concept of innovative cities.”

Human Ecosystems is a global initiative. It has already started in Rome, Toronto, Montreal, Detroit, Istanbul, Cairo, and it is being used as a tool for planning, cultural policies, art, civic engagement.

In 2013 Human Ecosystems has been awarded the “Consequential Outcomes” Grant of the prestigious Eisenhower Fellowships.

Links

Info&Contacts

For press, information about the project, the installation and the workshop, email:oriana.persico@gmail.com

To interact directly with the AOS team and other participants, subscribe the Human Ecosystems Facebook Page: https://www.facebook.com/HumanEcosystems

 

Credits

Human Ecosystems San Paulo is an event sponsored by:

SESC Vila Mariana

in collaboration with:

Universitade Metodista of San Paulo

supported by:

Wenovate

Concept & Realization:

Salvatore Iaconesi and Oriana Persico [ AOS - Art Is Open Source ]

Brazilian producer:

Daniel Gonzalez

Technical & Infrastructure supervision:

Caleb Luporini

Storytelling & Communication Team:
Fábio Botelho Josgrilberg
Luiz Fernando Ramalho
Silmara Sgoti

Human Ecosystems: the installation in Sao Paulo

Human Ecosystems: the installation in Sao Paulo

La Cura, at Wave, with Susanna Pozzoli

La Cura will be featured at Wave, Collective Intelligence, an exhibit promoted by BNP Paribas, in Paris at the Parc de la Villette, from September 10th to October 5th 2014 through a video by artist Susanna Pozzoli.

Click HERE for some more information about La Cura at Wave.

Click HERE to know more about La Cura, an Open Source Cure for Cancer.

For the exhibit, a video has been created by artist Susanna Pozzoli, a beautiful, insightful contribution to La Cura:

 

OneMillionDreams at File Festival 2014 in S. Paulo

One Million Dreams will be featured at the File Festival 2014 in S. Paulo, Brazil.

This is the 15th edition of FILEElectronic Language International Festival in São Paulo –, which takes place this year from August 26 to October 5 at Centro Cultural FIESP – Ruth Cardoso.

The festival occupies four spaces in this venue: the Art Gallery, the SESI Digital Art Gallery (building facade), the FIESP Space, and the Mezzanine, besides the pavement of the Consolação, Trianon-Masp, and Brigadeiro subway stations.

The exhibition of FILE SP 2014 presents installations, interactive performances, animations, games designed for several platforms, machinima, video, net and sound art, as well as a selection of Japanese artists’ works in partnership with the Japan Media Arts Festival.

One Million Dreams is featured in the video art section of the festival.

One Million Dreams is a generative video that lasts around 200 hours which shows, instant by instant, a whole year of dreams captured from social networks.

One Million Dreams has been produced through the Human Ecosystems project.

10 Minutes in Detroit

An information visualisation built using the Human Ecosystems will be featured at the Gallery Project, in Detroit, for the Unseen exhibit.

10 Minutes in Detroit captures all the social networking activity in the city of Detroit on June 30th 2014 and visualises it in a series of different ways, using the Human Ecosystems ( http://human-ecosystems.com/home/ ).

The exhibit will be in Detroit from August 1st to August 31st, 2014 (Eastern Market, 1550 Winder, across from Red Bull House of Art, Detroit, MI) and in Ann Arbor from September 12th to October 12th, 2014 (Ann Arbor Art Center, Ann Arbor, MI).

Unseen is curated by Rocco DePietro and Gloria Pritschet

The quest to see lies at the heart of human urgency. To breach the barrier between the visible and the invisible is compelling, emotional, informative and even magical. This process of discovery has always driven thinkers and image makers: artists, scientists and philosophers, from astronomers to nanotechnologists, from documentarians and data analysts to planners and prognosticators. As the unseen becomes seeable and seen, a pivot occurs, revealing and demanding irreversible change. No one who has seen is ever the same.

The invisible may be unseen for many reasons. It may be purposely covert for socio-political or military reasons, or to hide corruption or actions contrary to the public good. It may be inadvertently unseen because of the limits of technology or its applications, or the limits of human perception or comprehension. It may be willfully unseen from lack of curiosity, imagination, salience, awareness, or limitations of perceptual processes.

Many contemporary artists and scientists are dedicated to expressing the unseen and to making the invisible visible. They may be motivated to advance their disciplines, or may be fascinated by the prospect of discovery, or the challenge and adventure of harnessing emerging technologies to express ideas. They may believe it is important to uncover secrets, to disclose purposely hidden information, some of which strikes at the heart of democracy, personal privacy, individual well-being, individual freedom, the public’s right to know, and the health and survival of planet Earth. They may seek to awaken consciousness to initiate conversation about outcomes, implications and possibilities.

This exhibition invites the participants to visualize and express the unseen, and to comment on the impacts of the transformed vista.

In Unseen, participants’ work may express a range of conceptual dimensions. For example, they may be disclosing the purposely hidden or the inadvertently unseen. They may seek out significant and impactful information or simply delight in the creative, visually beautiful or surprising. Participants’ work may also express a range of thresholds of visibility. For example, they may be exploring micro, meso or macro levels of invisibility, from microbial and sub-atomic worlds to social, global and universal phenomena. Several examples follow:

The Hubble and Kepler telescopes are discovering evidence of earthlike and superhabitable planets, whose conditions for sustain carbon-based life surpass those of earth. However much of space is unseen by us, for intentional covert reasons or because we lack the means to perceive it.

In his book Dark Skies, Trevor Paglen, uses time-lapse photography with super sensitive equipment to capture images of military spy satellites streaking across the night sky. Photographed over a landscape reminiscent of Ansel Adams, the images are chilling reminder of what’s up there unseen.

Remote sensors and sonar probe deep within the earth and below the ocean floor in places like the arctic (where over 90% of Russia’s natural gas is located) mapping caches of gold, uranium, and rare earth minerals. Private corporations often own the proprietary maps. These same technologies offer crucial information to science, for example, in marine and desert archeology and research.

Environmental pollution related to deep earth mineral and gas extraction, and droughts; ancient aquifers are drained, the land debased, the water supply is poisoned and behind the guise of efficiency and technological advances.

Study of long term-data for natural cycles and systems reveals climate patterns, meteoric and volcanic activity, intense solar storms, and models their relationship to human activity and potential catastrophic impacts.

Disadvantaged individuals and groups that are invisible due to personal attitudes, social policy, and a history of neglect, e.g., the elderly and incarcerated black youth.

Architects and artists are working to reinterpret space in cities. Art is Open Source depicts the layers formed by people who uniquely shape the space through their use of mobile devices, ubiquitous technologies, and social networks.

Data art amasses complex critical information and presents it visually appealing and easily readable formats. Josh Begley, the originator of Dronestream, which documents the increase in drone strikes in the past decade, has created a new Apple App, Metadata, which documents drone strikes in real time.

Genetic research and engineering have enabled modification and selection of traits in foods, opening broad argument about health, safety, the power of chemical companies, and international meddling.

The Human Genome Project has sequenced the chemical base pairs of human DNA, making possible cloning technologies and genetic choice (babies by design). Private companies offer genetic tests for illness predisposition. This new era in genetics opens reconsideration of human identity, illness and morality.

Google Earth Outreach is mapping indigenous people around the world. The project protects 600,000 acres of the Surui of Brazil from exploitation, illegal mining and logging Photographer Martin Schoeller, with National Geographic, is bringing the issues facing lost tribes to global attention. Impact of such projects on their way of life is uncertain.

Animal research has revealed highly differentiated sounds and as yet untranslated complex language among elephants, dolphins, and other mammals. Increased understanding of animal language, emotion and culture challenges narrow preconceptions of animals as lesser beings, as food or objects for our entertainment.

American intelligence gathering is largely covert and secret. Edward Snowden, in revealing the extent of information collected about ordinary citizens, awakened awareness and initiated a change in generally held assumptions.

Cyber warfare, increasing in sophistication and run by rogue and government sanctioned hackers, challenges the security of nuclear facilities, financial systems, and personal data. There are no visual maps for understanding cybercrime.

Secret drone strikes in Yemen or Pakistan are supported by networks of underwater fiber optic cables, military satellites and command centers, remote sensing and vision systems, and superfast computers. Congress’ decision to continue their control in the CIA, rather than to transfer it to the Defense Department insures that they remain secret.

HAARP (The High Frequency Active Auroral Research Program) is an ionospheric research program jointly funded by the Defense Department and private contractors. HAARP analyzes the ionosphere and investigates the potential for developing ionospheric enhancement technology for radio communications and surveillance. Some say one of its goals is to transmit electricity wirelessly. Based in Gakona, Alaska, some experts say that HAARP is capable of modifying weather, disabling satellites, causing air crashes, earthquakes, droughts, storms, floods, and even disease.

There is a whole category of contemporary art this is full of technical and creative surprises. These works might involve hidden images, inference of the presence of the objects and content when they are not there, and movement that alters the visual and perceptual field. Some can only be fully realized with the participation and imagination of the viewer.