Stakhanov: the BigData Oracle for a new era

From Wikipedia:

“In Classical Antiquity, an oracle was a person or agency considered to interface wise counsel or prophetic predictions or precognition of the future, inspired by the gods.
The word oracle comes from the Latin verb ōrāre “to speak” and properly refers to the priest or priestess uttering the prediction. In extended use, oracle may also refer to the site of the oracle, and to the oracular utterances themselves, called khrēsmoi (χρησμοί) in Greek.
Oracles were thought to be portals through which the gods spoke directly to people.”
Stakhanov bigdata oracle

Stakhanov: our new religion?

Stakhanov is the BigData Oracle of the new era.
In the era of Data, Information and Knowledge, Stakhanov is the expression of our new global data-religion.
Stakhanov continuously harvests social networks for information and data, making connections, assumptions, correlations, using them to predict the future.
Line-by-line, it emits its verdicts about what will be and that which won’t.
 
Millions of people agree on the probability of a certain event? Fine, Stakhanov agrees, too, and it predicts it as a certain future.
 
You went running on the last three tuesdays, as documented by neat little maps published on Facebook? Well, Stakhanov predicts that you shall happily jog next tuesday, too: the gods-of-data say so.
 
This is the Word, coming from the Data-Above, in The Cloud.
 
A playful neo-religious data-invasion of privacy, false-hopes and the ingenuity in contemporary determinism.
Join us at the transmediale festival in Berlin from Jan. 28th to Feb. 1st, in Berlin, at the HKW to experience Stakhanov and a workshop on the Ubiquitous Commons, exploring the opportunities and dangers coming from the wide availability of ubiquitous data coming from our lives, relations, bodies and activities, and he ways in which we can turn this scenario to our advantage, as individuals and as a society.
Read more on the transmediale website:

 

NOTE: More detailed explanations about the concept, process and working details (including source code and data-sets) for Stakhanov will be published on Art is Open Source during the festival.

Ubiquitous Information in cities: the future of information

The future of information in cities: ubiquitous information, social networks and the emergence of new business models and opportunities, beyond traditional media.

This video was presented at the Eisenhower Fellowship Day 2013 in Italy.

The Mirror and The Source @ Penny W. Stamps Speaker Series

 

AOS in Detroit

AOS in Detroit

AOS will be in Ann Arbor (Detroit) on October 17, 2013, for the Penny W. Stamps Speaker Series at the Michigan Theater with “The Mirror and the Source“, a talk/performance exploring the transformation of human beings, and the new rituals, emotions, new intimacies and public spaces of our augmented lives in the digital era.

“The Mirror and the Source” will be an exploration of contemporary life with Art is Open Source, an international network of artists, researchers, technologists, architects, designers and activists interweaving disciplines and practices to understand the current mutation of human societies through the wide availability and accessibility of ubiquitous technologies.

A visual, sonic journey through the new rituals and emergent ways in which we have radically changed the ways in which we work, relate, consume, feel emotions, have sex and entertain ourselves.

The first Open Source Cure for Cancer, the real-time digital life of cities, the story of a baby artificial intelligence called Angel_F going to the United Nations to defend its digital rights, a very dangerous videogame, human tamagotchis and a fictional company using a very naughty business model will be among the many performances, artworks and researches which we will encounter along the journey.

Come and meet us here:

Art is Open Source and the Penny W. Stamps Speaker Series
“The Mirror and the Source”
Thursday October 17th 2013
at 5:10pm at the historic Michigan Theater
603 E. Liberty Street in downtown Ann Arbor,
(free of charge and open to the public)

more info:

http://art-design.umich.edu/stamps/detail/art_is_open_source

http://www.michtheater.org/shows/art-is-open-source/

The Real-time Cultural Ecosystem of the City of Rome

The Real-time Cultural Ecosystem of the City of Rome is a visualisation which captures all the interactions on social networks through which internet users discuss about the cultural life of their city. (it is the first part of the Human Ecosystems project)

Real-time Cultural Ecosystem of the City of Rome, Space

Real-time Cultural Ecosystem of the City of Rome, Space

Built with the support and collaboration of the Cultural Council of the First Municipality of Rome’s City Administration, it is the first of a series of Ecosystems which we will be publishing in the next months.

What is it?

The system captures in real time the public activity of citizens using social networks to express themselves about culture (Music, Theater, Cinema, Arts, Publishing, Traditions, History and Heritage, Sport, Tourism, Media).

The system:

  • captures the public activity of operators (publishing and communicating events and initiatives) and citizens (taking participating, storytelling and expressing along cultural themes in their daily lives);

  • understands the theme of the online discussions (for example contemporary arts, publishing…) and the emotional states which they express (for example an operator’s joy in communicating a new event; a citizen’s surprise and anxiety to participate; and his satisfaction or delusion afterwards);

represents information visually in three ways

  • space, the geography of culture, showing a real time map with the evidence of the places in which culture is discussed and made;

  • the time of culture, showing the online discussions as they emerge on social networks, across operators’ communication and citizen engagement;

  • the relations of culture, showing how operators and citizens relate by collaborating, participating, communicating and expressing opinions;

  • makes available a novel source of real-time Open Data with all the information captured and processed
  • contributes to the creation of a continuous and emergent census of culture, in real-time, including the operators creating and communicating events and initiatives, as well as the citizens and tourists which take part in them and publicly engage discussions.

Why is it Important?

It is the first time that such an action is made available to a public administration and, through Open Data, to operators and citizens, who will be able to use it to better know and understand the cultural landscape of their city, to support innovative phenomena to emerge, and to create services through the web and smartphones.

It is a replicable model, ready to be adopted by other administrations. And, most important, it is interoperable, allowing direct comparison among different territories, allowing to understand their characteristics and practices.

How is it done?

By using the possibilities offered by major social networks to harvest in real-time the public information generated by users and operators.

This information is captured as soon as it is generated in the geographical area of interest, and processed using a series of techniques and technologies (Natural Language Analysis, Emotional Analysis, Network and Relational Analysis), and are thus enriched and annotated with additional information regarding the themes and issues being discussed, the emotional states they express, and a best-effort guess of the location from which they have been generated and of which they are talking about.

All information is visualised practically in real time, and made available through a source of Open Data accessible through APIs.

When will it be available?

The official presentation will happen in the Cultur+ event, Sept. 28th 2013 in Rome‘s Casa delle Culture, via di San Crisogono 45.

An open beta version is available HERE for anyone to access. It is an early beta, and we’re asking all the community to support in making it work perfectly, helping us out to identify data and information which seems out of place and also getting the interfaces to work as expected. To have access to the Open Data source you might have to wait a few days more, but please contact us to know more and get early access.

Keep in touch for more posts right here, as we will unveil updates, additional information and knowledge we have collected about Rome’s Cultural Ecosystem.

Real Time Cairo: the real-time digital life of the city of Cairo, Egypt

Real Time Cairo: the real-time digital life of the city of Cairo, Egypt

Launch the project by clicking HERE

Real Time Cairo screenshot

Real Time Cairo screenshot

To harvest all the data generated through social networks in a city.

Each day we use social networks such as Facebook, Twitter, Instagram, Foursquare as public spaces in which we express ourselves, our feelings and emotions, our perception of the spaces around us, our desires, wishes and expectations.

Or, such as in Cairo, Egypt, right now, to express our dissent, to enact our freedoms, and to inform of the difficult situations in which we find ourselves and with the communities we live in.

But social networks are not public spaces.

They are privately owned digital spaces whose strategies and interests have nothing to share with public space.

Through hundreds (if not thousands) of years of development of our cultures we have learned to form our expectation about what is public space, how it works and what to expect from it. We have developed shared ways by which we have collectively shaped our idea of what is a public space, and how to change its rules.

On social networks this does not apply.

A simple, unilateral, change in the terms of service of any of these networks/spaces can radically change the ownership and modalities according to which the information that we publish and share is used and leveraged, possibly giving rise to its exploitation, censorship, business usage.

But everything in these networks/spaces is designed to augment our understanding of them as public spaces and, thus, to apply or expectation of how public spaces work to them.

So,

  • on one side, we perceive a public space in which to express ourselves, expecting that it will function according to our understanding of the ways in which public spaces work;
  • on the other side we have private spaces whose objective is to mimic the ways in which public spaces work, so that people use them, increasing business
real time Cairo

real time Cairo

Just as we did with the VersuS and ConnectiCity projects, Real Time Cairo captures the life of the digital city and visualizes it on a map.

The intent is to create the availability of tools by which to re-appropriate information published on what we perceive to be our digital public spaces, and to make it available for visualization, aggregation, etc: to establish a novel source of Open Data in our cities by gathering all the conversations that take place in our digital public spaces, to allow people to use them to understand their cities and to imagine shared practices and methodologies to use this information, making it accessible and usable by everyone, not only by social network service providers.

The interface shows

  • the map, with the information popping up as soon as people in Cairo publish it using Facebook, Twitter, Instagram, Foursquare (information that is not geo-referenced using the networks’ tools is harvested as well, but it does not show on the map)
  • a tag cloud of the most used words in the last 80 minutes
  • some statistics showing the number of messages and users who published information in the latest 80 minutes, and in what languages they write
  • a timeline, allowing the comparison of the number of messages posted during each hour of the last few days

We are still developing elements of the project (more updates will come soon) including:

  • an API through which to download all of the dataset (or only parts of it, selected by date range, source, keywords etc)
  • a visualization to show the human geography/topography of the city

The source code will be released under GPL as soon as we are able to finish adding these first few pieces.

Stay tuned!

Real Time Cairo

Real Time Cairo

Cairo, Egypt, on Twitter, Facebook, Instagram

Cairo, Egypt, on Twitter, Facebook, Instagram