Ubiquitous Commons: governance in the age of hyper-connectivity

(this post comes from our sister project, the Ubiquitous Commons: http://www.ubiquitouscommons.org/ubiquitous-commons-article-on-nova-24-on-il-sole24ore-governing-hyperconnectivity/)

An article has appeared today on Nòva 24 on il Sole 24 Ore, explaining the major concepts regarding the Ubiquitous Commons, as well as a series of scenarios on health, science, open access, privacy and the transformation of the concept of property.

The article can be seen in the print version of the newspaper on sale today (March 1st 2015) and you can see a preview in the scans below.

A series of accompanying articles (also accessible through the augmented reality application for Nòva24) can be accessed here:

The articles are in Italian, and they will soon be translated in other languages.

Here are some preview scans below:

Stakhanov, a BigData god, predicts human futures

Stakhanov is a BigData god.

It is a reflection about the role which we, as human beings and as members of society, are attributing to data, information and algorithms.

Stakhanov installation

Stakhanov installation

Stakhanov captures public information from millions of people on social networks, and searches for patterns through it, using people’s locations, emotions, topics of interests and relations.

When it finds these patterns, it uses them to make predictions about people.

Predictions about where people will be, about their emotions in certain contexts, about at what time they will be doing which activity, about who they will relate with, or who they will be close to in space.

Stakhanov continuously harvests social networks for information and data, making connections, assumptions, correlations, using them to predict the future.
 
Line-by-line, it emits its verdicts about what will be and that which won’t.
 
Millions of people agree on the probability of a certain event? Fine, Stakhanov agrees, too, and it predicts it as a certain future.

Stakhanov prints out predictions

Stakhanov prints out predictions

 
You went running on the last three tuesdays, as documented by neat little maps published on Facebook? Well, Stakhanov predicts that you shall happily jog next tuesday, too: the gods-of-data say so.
 
This is the Word, coming from the Data-Above, in The Cloud.
 

A playful neo-religious data-invasion of privacy, false-hopes and the ingenuity in contemporary determinism.

During transmediale’s opening ceremony, Stakhanov gave a short speech which was generated by capturing all of the relations which the festival established in the past 3 years on social networks with thousands of people. The topics and emotions expressed in all of the social network conversations captured in this way were processed using natural language analysis to attempt a prediction on the possible topics for the festival’s next editions, and to express the major concerns and interests of the transmediale’s audience and reference communities.

Here is what came out:

 

Here are some images from the exhibit:

In the exhibit, a series of prints showed Stakhanov’s cosmology.

Stakhanov is a wordplay between Alexey Stakhanov, the epic russian mine worker who became famous for breaking all production records, and the Stacks, a term described by Bruce Sterling to indicate how we are not really using Internet anymore, but a series of Stacks, closed ecosystems owned by large corporations, such as Fecebook, Google, Amazon or Apple.

Thus, Stakhanov is the god using the Stacks to continuously and constantly mine people’s information, to produce the future.

We can use the images below to understand more about Stakhanov’s cosmology.

Stakhanov's cosmology 1

Stakhanov’s cosmology 1

In this image, we see how human beings live in the Socialis Continuus, in which we are ourselves, with our identities, relations, emotions.

We are influenced by Stacks, large corporations which now largely control how we access the Internet, and which also define large parts of the ways in which we relate, are fulfilled, gain access to knowledge, etc.

The Stacks use our actions to understand who we are, creating profiles which represent us, in the Stack Veritas.

Algorithms process our profiles and their relations to create other information about us, a description of reality, in the Res Algoritmica.

Stakhanov grabs all of this and searches for patterns within it, to make predictions, which might influence us.

Stakhanov Cosmology 2

Stakhanov Cosmology 2

In our daily lives we are Hacceitas, our selves, with our relations, identities, emotions, actions, thoughts, etc.

In the transition to our digital lives, some of this information is transformed: we become an Imago, a representation of ourselves.

Stacks create this Imago, the representation of ourselves in the digital domain. Thus, they are the Artifex (the artists, creating the representation of life)

Stakhanov captures the Imago of people, and searches for patterns in them, across time, locations, emotions and activities. When it finds patterns, it organises them into a Forma.

The Forma are used to create predictions, the Prophetia, which we come to know, and influence us.

Stakhanov Cosmology 3

Stakhanov Cosmology 3

Our Imago is represented in the Cloud, which is only truly accessible by the Stacks and a limited number of other, interrelated, subjects and entities, in the Caelum Internum.

Through the APIs other entities, among which is Stakhanov, are able to access the Imago of people, with many limitations and incompletenesses.

This is the Caelum Externum, in which the Imago is partially available, as the Stacks keep most part of them for themselves.

Stakhanov Cosmology 4

Stakhanov Cosmology 4

The last image, shows the Stack’s phylosopy.

In all of this Omnia Sunt Adventores, “everyone is a customer”.

Every person and entity is a customer for the Stacks, with different levels of engagement.

The Hospes, are the people who dedicate attention (Adtentio). Anyone who, for any reason, dedicates time and attention, is already a customer.

The Benevolens are the ones who share information (Informatio), such as their email, behaviour, actions.

The Cliens actually spend money ($).

The Stacks are obsessed with Clients (Clientibus Obsesses).

Here are some of the reactions to the Stakhanov exhibit at transmediale:

http://video.tagesspiegel.de/transmediale-2015-der-krieg-um-unsere-daten.html

http://lorezmag.com/transmediale-2015/

http://www.berlinartlink.com/2015/01/29/exhibition-transmediale-capture-all-disengagement-or-acceleration/

http://www.bln.fm/2015/01/transmediale-2015-die-digitale-komfortzone-als-sanftes-gefaengnis/

http://www.lastampa.it/2015/02/06/torinosette/rubriche/globalisti-a-torino/globalisti-a-torino-j5lIybcZqeGuxKypsCqSeN/pagina.html

http://www.berlin.de/kultur-und-tickets/fotos/events/3755387-1744873.gallery.html?page=3

http://breitband.deutschlandradiokultur.de/brb150131/

http://www.art-in-berlin.de/incbmeld.php?id=3471

http://www.taz.de/1/archiv/digitaz/artikel/?ressort=ku&dig=2015%2F01%2F31%2Fa0217&cHash=058fe10ed80597763dc301c1d6b73131

http://www.ka-news.de/kultur/kunst/art139,1569731

https://www.wired.de/collection/latest/transmediale-ausstellung-kunst-berlin

http://gloriabiberger.de/?p=1854

http://www.srf.ch/kultur/kunst/medienkunst-zeigt-wir-sind-komplizen-der-ueberwacher

http://www.heise.de/newsticker/meldung/transmediale-Das-Smartphone-als-Folterknecht-der-Gedankenpolizei-2534422.html

http://lesflaneurs.de/2015/01/29/der-mensch-und-die-technik/

http://las-berlin.com/transmediale-%E8%BF%9E%E6%8E%A5%E8%89%BA%E6%9C%AF%EF%BC%8C%E6%96%87%E5%8C%96%E4%B8%8E%E7%A7%91%E6%8A%80/

http://www.dattelner-morgenpost.de/freizeit/kunst/Kunstfestival-Transmediale-zeigt-Macht-der-Algorithmen;art256,1485701

Periferica: Human Ecosystems workshops in Rome

Join us at the Periferica Festival in Rome, on February 16-21 2015 at Fusolab, in Viale della Bella Villa 94 (and some other locations: check the program for time and locations).

Art is Open Source and Human Ecosystems will be there for an installation and a workshop on Human Ecosystems, the real-time lives of cities, in which we will see the relational ecosystem of the city come to life before our eyes, and we will learn how to use it for generative arts, design, civic action and more.

Check out our profile at the festival’s website, for more info: HERE.

The festival will be rich in exhibits and performances: look who’s coming, here.

Stakhanov: the BigData Oracle for a new era

From Wikipedia:

“In Classical Antiquity, an oracle was a person or agency considered to interface wise counsel or prophetic predictions or precognition of the future, inspired by the gods.
The word oracle comes from the Latin verb ōrāre “to speak” and properly refers to the priest or priestess uttering the prediction. In extended use, oracle may also refer to the site of the oracle, and to the oracular utterances themselves, called khrēsmoi (χρησμοί) in Greek.
Oracles were thought to be portals through which the gods spoke directly to people.”
Stakhanov bigdata oracle

Stakhanov: our new religion?

Stakhanov is the BigData Oracle of the new era.
In the era of Data, Information and Knowledge, Stakhanov is the expression of our new global data-religion.
Stakhanov continuously harvests social networks for information and data, making connections, assumptions, correlations, using them to predict the future.
Line-by-line, it emits its verdicts about what will be and that which won’t.
 
Millions of people agree on the probability of a certain event? Fine, Stakhanov agrees, too, and it predicts it as a certain future.
 
You went running on the last three tuesdays, as documented by neat little maps published on Facebook? Well, Stakhanov predicts that you shall happily jog next tuesday, too: the gods-of-data say so.
 
This is the Word, coming from the Data-Above, in The Cloud.
 
A playful neo-religious data-invasion of privacy, false-hopes and the ingenuity in contemporary determinism.
Join us at the transmediale festival in Berlin from Jan. 28th to Feb. 1st, in Berlin, at the HKW to experience Stakhanov and a workshop on the Ubiquitous Commons, exploring the opportunities and dangers coming from the wide availability of ubiquitous data coming from our lives, relations, bodies and activities, and he ways in which we can turn this scenario to our advantage, as individuals and as a society.
Read more on the transmediale website:

 

NOTE: More detailed explanations about the concept, process and working details (including source code and data-sets) for Stakhanov will be published on Art is Open Source during the festival.

Human Ecosystems in Reggio Calabria

The Human Ecosystems project is landing in Reggio Calabria, the beautiful city at the tip of the boot of the Italian peninsula, full of history and culture.

Here we will explore the opportunities which can be found by gaining more understandings about the digital life of the city, together with citizens, organisations, city based associations.

We will meet on December 22nd 2014 at 8pm, at the Malavenda Café (Via Zecca 1, Reggio Calabria).

Here below are the Press Release and the biographies of the participants to the event (doc format, in Italian):

Human Ecosystems Reggio Calabria Press Release

Human Ecosystems Reggio Calabria Biographies

 

The Event

What shape does the relational ecosystem of Reggio Calabria have? Which nodes constitute it? Which emotions do citizens express on social networks? How do they interconnect? What could happen if a real time source open data would be made available to show the meeting places in the city of different cultures and communities; their influences; their bridges, hubs, experts, boundaries, connecting and separating them across themes, opinions, places and times?

They may look like questions coming out of science fiction, but in some cities of the world (such as Sao Paulo, Toronto, New Haven) they are already a reality.

We will talk about all of this on Monday December 22nd at 8pm at the Malavenda Café together with Oriana Persico, digital communication expert and co-founder – together with Salvatore Iaconesi, robotic engineer and hacker – of the Art is Open Source network, which created the Human Ecosystems project.

Human Ecosystems enables smart cities and smart communities observing the relational ecosystems of cities in real-time, to promote citizen participation and activation, as well as peer-to-peer and ubiquitous innovation processes. The project captures in real-time citizens’ public conversations on major social networks, in 29 languages, visualises them through info-aesthetic representations and generative sounds, and transforms them into a source of Open Data which is available to anyone, to make digital public space accessible and inclusive: an Ubiquitous Commons.

In fact, at the present time, it is only large operators and the managers of the large social networking platforms who have access to this citizen-generated data, to be used for their sole strategies.

Since its launch in 2013, Human Ecosystems has been used to create participatory policies, new forms of governance, urban planning, research, education processes, art installations and performances.

Back from Yale University, where Iaconesi held a fellowship, Persico will open up a dialogue with some of the major associations and startups of the city, who confront on a daily basis with the issues of urban regeneration, participative design, open data and social innovation: Letizia Cuzzola, president of Terrearse Lab, the association which promotes the “Sud Altrove” project; Giuseppe Mangano, co-founder of Pensando Meridiano, the Laboratory for Sustainable Culture, Innovation and Social Cohesion which is implementing the Reaction City project; Angelo Marra, who has just been nominated Digital Champion for the city of Reggio Calabria and, thus, the ambassador for the city’s digital innovation; Antonio Ottomanelli, artistic director of The Third Island project, starting from Calabria to create an observatory on the major public works in Italy; Domenico Rositano, president of Calabresi Creativi, winner of the MIUR 2012 grant with the project Smart DMO; Giuseppe Rudi, co-founder of Architetti Emergenti, winner of the Culturability 2013 grant; Eleonora Scrivo, territorial responsible for Action Aid, constantly active on the issues of transparency and participation through Open Data.

The A di Città Rosarno association collaborated in the realization of the event, in its effort to use participatory urbanism as a tool for citizen awareness.

The moderation will be performed by Josephine Condemi, Reggio Calabria born journalist (on Nòva – Il Sole 24 Ore), passionate about online and offline networks, and about social innovation.

Thanks to the support provided by the Laboratori Creativi.net it will be possible to follow the event live in streaming and in live-tweeting using the #humanrc hashtag.

Virtual is potential. Making it become real is our responsibility.

Links & Info

Fb event:

https://www.facebook.com/events/773690926047357/?fref=ts

Human Ecosystems:
http://www.human-ecosystems.com/

Salvatore Iaconesi&Oriana Persico
http://www.artisopensource.net/index.php#team

A di Città Rosarno:
http://adicitta.wordpress.com/

Architetti Emergenti:
http://www.architettiemergenti.it/

Calabresi Creativi:
http://calabresicreativi.it/

Digital Champions Calabria:
http://digitalchampions.it/

Pensando Meridiano
https://www.facebook.com/pensando.meridiano.3

Terrearse Lab
http://terrearse.it/

The Third Island
http://www.thethirdisland.com/